
Gun Outfit Reach Higher Ground on ‘Process and Reality’
Gun Outfit’s Process and Reality imbues a cosmic existentialism in which celestial instrumentation coils and twists, like a serpentine trail in a canyon.

Gun Outfit’s Process and Reality imbues a cosmic existentialism in which celestial instrumentation coils and twists, like a serpentine trail in a canyon.

Modern Woman’s operatic Johnny’s Dreamworld offers a range of sounds, from post-punk to art rock to chamber pop.

Kyle Craft created high-drama with high-stakes, a Freudian fantasy, wherein sex and death interweave, or, rather, Thanatos and Eros commingle, like a seductive dance.

Kiki Cavazos uses the American landscape to measure the narrator’s life against: where she’s been and where she’s heading, or who she was and is.

Mildred show how our current ennui can be transcended by friends coming together to perform music, that boredom can be an impetus, not an obstruction, for creativity.

Brown Horse have released their loudest and bleakest LP, where muscular guitars, walloping drums, and thumping pedal steels converge and erupt like a volcano.

Juni Habel presents the perilous beauty of nature as both metaphor and fact, to enlarge and reduce emotions and inhabit a liminal space wherein poetry resides.

New German Cinema shows that pop, when rendered with elegance and depth, can be as weighty as a tome, and although pain is inevitable, it can be a form of succor.

With Hard Hearted Woman, Ora Cogan showcases that, in a patriarchal world, you have to be literally and figuratively ready to fight, body and soul.

Cat Clyde is immensely talented, but Mud Blood Bone is a frustrating listen due to occasional missteps and a questionable cowboy-pop aesthetic.

Morrissey’s Make-Up Is a Lie is a love letter to Paris: schmaltzy, befuddling, arresting, but, most of all, HIM.

With his old-timey, soul-inflected voice, Rick Danko could sink like an anchor, plumbing the depths of existence that most singers would have to drown themselves to reach.