Ariana Grande’s ‘Eternal Sunshine’ Is Her Most Cohesive Work
Ariana Grande has come into her own by embracing the parts of her creativity that resonate most with her ardent fanbase and being true to herself.
Ariana Grande has come into her own by embracing the parts of her creativity that resonate most with her ardent fanbase and being true to herself.
The biggest weak spot of Jennifer Lopez’s This Is Me…Now is that almost every song hammers home the same theme: Lopez is in love with Ben Affleck again.
Reality Bites‘ central idea is that selling out is no match for following your heart, and good things will come. That’s all well and good, but it doesn’t pay the bills.
While 1989‘s vault tracks aren’t quite as attention-grabbing as those from other LPs, they still pack an emotional punch like only Taylor Swift can deliver.
Troye Sivan’s new album falls short of its own standards, set high by the success of its predecessor and is lost in its ecstasy and provocative imagination.
Pop-punk’s Fefe Dobson returns with her first new album in 13 years this Friday. She chats about Emotion Sickness and her growth as an artist.
More than just having fun updating her work, Demi Lovato refashions herself and her music to reflect the person she is today, which is bold and defiant.
Olivia Rodrigo sings of fame, pain, heartbreak, and growing up on Guts. There’s rage, yearning, and reckless behavior here that transcends generations.
On Drama Queen, Idina Menzel moves away from adult contemporary vocal pop and into a sound familiar to the dancefloor at a gay club: disco-infused dance pop.
Eschewing male producers who didn’t necessarily see her creative vision in the past, Ralph also came out as a member of the LGBTQ community this year.
Liz Phair turned away from indie rock and toward teen-influenced pop-rock 20 years ago on her self-titled album. Critics were harsh, but the LP now seems prescient.
Chemistry is a refined reintroduction to Kelly Clarkson as an entertainer rather than just the world’s first winner of American Idol.