Kesha’s ‘Gag Order’ Is an Artistic Cry for Help
Is Kesha’s new experimental art-pop record, Gag Order, a cautionary tale? A cry for help? A cathartic release? Most likely, it’s all of the above.
Is Kesha’s new experimental art-pop record, Gag Order, a cautionary tale? A cry for help? A cathartic release? Most likely, it’s all of the above.
Pop singer Bebe Rexha’s Bebe sounds like she has thrown some caution to the wind and made music that she genuinely enjoys. It’s also fun to listen to.
Jessie Ware has continued her disco success with That! Feels Good!, which is somehow even more potent than its predecessor.
Demi Lovato is her unabashed self, everything else be damned. If you need some of that energy right now, these are 25 songs to make you a “Lovatic”.
What makes Miley Cyrus’ Endless Summer Vacation a full-circle experience is her newfound sense of self and accepting the more chaotic parts of herself.
Trustfall is the most vulnerable pop star Pink has been in years in a way that doesn’t sound formulated but rather honest and reflective.
Queen of Me is not as dominating as Shania Twain’s existing body of work, but it highlights a beloved household name getting to know herself better.
For those who appreciate a certain branch of dance-pop, Ava Max’s Diamonds & Dancefloors is a euphoric escape from the harsh realities of adult life.
Country music’s Jessica Willis Fisher discusses her new memoir Unspeakable: Surviving My Childhood and Finding My Voice and the process of healing trauma.
Carly Rae Jepsen’s The Loneliest Time is not without the glittery, carefree pop she’s famous for, but the singer gets personal in ways she hasn’t before.
Tegan and Sara’s work often revolves around the vulnerability of youth, and with Crybaby, they’re adding more understanding to the messy business of being alive.
Kelsea Ballerini’s Subject to Change suggests another genre-bending, boundary-pushing country crossover record, but it’s her most conservative work to date.