
Kacey Musgraves Renews Her Faith in Country Music
Kacey Musgraves’ Middle of Nowhere is the most classically country album she has released in over a decade. Lyrically, she’s still one of the genre’s biggest rebels.

Kacey Musgraves’ Middle of Nowhere is the most classically country album she has released in over a decade. Lyrically, she’s still one of the genre’s biggest rebels.

Jessie Ware is hornier on Superbloom than its predecessors, and that alone makes it more assertive. It’s quite possibly her gayest record yet.

Although Holly Humberstone ends her new album on a signature sad note, Cruel World has a promising tone that shines through the clouds.

Shawn Colvin knows who she is, and she wasn’t about to start chasing someone else’s pop dreams. That’s what makes Whole New You so captivating still.

Harry Styles sounds tired of trying to check boxes on someone else’s list, and he’s trying to figure out his own sound as an adult man in his third decade.

Hilary Duff toes the line between acoustic and dance-pop, but she ties it all together with songwriting about, for lack of a better term, millennial ennui.

On Nick Jonas’ fifth solo album, Sunday Best, he looked inward for inspiration and created what is arguably his strongest music to date.
The Tortured Poets Department‘s songs are calculated, complete, and the most experimental and ambitious of Taylor Swift’s work to date.
Maggie Rogers’ latest album, Don’t Forget Me, is a soft and breezy return to the musician we met on her debut studio effort Heard It in a Past Life.
Gil Junger’s alteration of The Taming of the Shrew, 1999’s 10 Things I Hate About You, is a revolutionary Riot Grrl-inspired teen comedy for today’s girls.
Older hones in on what makes Lizzy McAlpine a compelling artist: astute observations of being young and in love and still learning what those things mean.
Kacey Musgraves, like all of us, is just trying to learn how to sway in the face of life’s challenges, and she chooses to gift them to us in the form of songs.