
Kneecap’s Remarkable Sound of Righteous Fury
That Kneecap can move between righteous fury and profound tenderness without losing coherence is a measure of how much they have grown.

That Kneecap can move between righteous fury and profound tenderness without losing coherence is a measure of how much they have grown.

Singin’ to an Open Chair is a wonderful album that shows Ratboys revving their engine once again, ready to take another long, curious lap around the block.

M(h)aol’s Something Soft is a powerful feminist punk album. It highlights the stakes of inhabiting the female body in a world where safety is conditional and fleeting.

SPRINTS remain emotive but more polished and reflective, questioning rather than acting—though often admitting defeat as the songs grow louder.
Benjamin Booker’s new album LOWER asks how to live in an awful world. His only answer is to keep stepping forward into the darkness.
Unlike PJ Harvey’s sad voice singing about the polluted Thames and England, for the Lambrini Girls, there is no mythic past when these symbols were great.
In Songs for the Deceased Irish avant-garde punk’s Meryl Streek rages against the landlord class, which perpetuates the violent system of precarity.