
Slowdive’s In-Between Band Mojave 3 Reissue Their Catalog
Mojave 3 may always be remembered as a lengthy diversion between phases of Slowdive. They still had plenty of winning moments of their own.

Mojave 3 may always be remembered as a lengthy diversion between phases of Slowdive. They still had plenty of winning moments of their own.

When Mars on Mars were in the studio with Lee “Scratch” Perry in late 2019, they didn’t realize they were getting the last chance to capture his essence on tape.

Much of the material on Bill Evans at the BBC, as played by this lineup, is available on better-sounding releases, including a couple of producer Zev Feldman’s own.

Laibach’s Musick has its moments, but ultimately it’s a reminder that there is plenty of good pop music that skewers itself without being so belabored about it.

The Charlatans’ subsequent career has, in hindsight, rendered Some Friendly more valuable than most anyone expected. It’s one of their most important.

Band of Horses’ Everything All the Time was a declaration that rock music could be big without being dumb, sentimental without being saccharine.

Lucid Express might be restless and eager to defy pigeonholing and complacency. That’s good, but in the process, they’ve made an album that often feels overstuffed.

Based on the best tracks on this new synth pop collection, 1979 was a time that drew equally from traditionalist pop songcraft and new musical technology.

Steppin’ Out: The Roots of Garage Rock 1963-1965 immediately becomes an efficient, economical alternative to all kinds of crate-digging and online scouring.

Listening to The Return of the Durutti Column is like being given the key to a world that, while not as secret as before, is well worth exploring.

So, Here We Are: Best of Doves shows how their secret is making music that’s grandiose yet unpretentious. It’s big music with a small ego.

As Everything But the Girl, Tracey Thorn and Ben Watt were one of the most unique British acts of the 1980s and 1990s.