Lee “Scratch” Perry: King Scratch – Musical Masterpieces From the Upsetter Ark-ive
One year after his passing, King Scratch fetes the reggae/dub shaman Lee “Scratch” Perry with a multiple-disc, multiple-format, career-spanning collection.
John Bergstrom
John Bergstrom has been writing various reviews and features for PopMatters since 2004. He has been a music fanatic at least since he and a couple friends put together The Rock Group Dictionary in third grade (although he now admits that giving Pat Benatar the title of "first good female rocker" was probably a mistake). He has done freelance writing for Trouser Pressonline, Milwaukee's Shepherd Express, and the late Milk magazine and website. He currently resides in Madison, Wisconsin with his wife and two kids, both of whom are very good dancers.
‘The Best of Roxy Music’ Gets a Vinyl Re-Issue
As this vinyl reissue of Roxy Music’s 2001 compilation makes clear, the only thing cooler than Roxy Mark II was Roxy Mark I.
Duet Emmo’s ‘Or So It Seems’ Is a Testament to Analog Electronic Music
Duet Emmo’s Or So It Seems is an experimental one-off between Wire’s Lewis and Gilbert and Mute Records’ Daniel Miller. Pedigrees don’t come much better.
The Range’s ‘Mercury’ Is Engrossing, Danceable, and Nostalgic
The not-to-be-missed fourth album by EDM artist James Hinton aka the Range is simultaneously his most retro sounding and forward-looking. Mercury is engrossing.
Sunflower Bean’s Headful of Sugar Is More Mundane Than Sweet
Having grown past Twentytwo, NYC indie trio Sunflower Bean’s Headful of Sugar finds them inevitably taking on “late capitalism”. Cue the retro-disco beats.
Bill Evans’ ‘Morning Glory’ and ‘Inner Spirit’ Spotlight His Final Jazz Trios
These now-official Buenos Aires concert recordings from 1973 and 1979 capture the great jazz pianist Bill Evans with each of his final trios.
’80s Synthpop Duo I Start Counting Release Rarities on ‘Re-fused’ and ‘Ejected’
Thirty-five years later, twin albums of demos and outtakes from cheeky British synthpop duo I Start Counting have surfaced, and they’re not without their pleasures.
Alt Rockers Placebo Attempt a Comeback with ‘Never Let Me Go’
Don’t call it a comeback: Placebo’s first new album in a decade, Never Let Me Go, shows their finest years are still behind them.
30 Years Ago the Church Transcended Alternative Rock Limitations with ‘Priest=Aura’
In the 30 years since its release, the Church’s Priest=Aura has gone from a post-“Under the Milky Way” footnote to an acknowledged career pinnacle.
Coldcut Teams with Ryuichi Sakamoto, Suzanne Ciani, Steve Roach and More on ‘@0’
Coldcut’s @0 swaddles the listener in mellow, relaxing swaths of sound. Slow-building, expansive washes of synthesizer pads dominate, swelling and ebbing with each successive track.
‘Dr. Cholmondley Repents’ Collects the Jazz Butcher’s Odds and Sods
Have mercy! This sprawling, four-disc roundup Dr. Cholmondley Repents is a fine entry point to the wonderful world of British indie legends, the Jazz Butcher.
The Jazz Butcher’s Final Album Is ‘The Highest in the Land’
The final, sadly posthumous album from the great Pat Fish (aka the Jazz Butcher) shows the British indie-pop legend was taken much too soon.
