
Band of Horses’ ‘Everything All The Time’ Is Essential at 20
Band of Horses’ Everything All the Time was a declaration that rock music could be big without being dumb, sentimental without being saccharine.

Band of Horses’ Everything All the Time was a declaration that rock music could be big without being dumb, sentimental without being saccharine.

Lucid Express might be restless and eager to defy pigeonholing and complacency. That’s good, but in the process, they’ve made an album that often feels overstuffed.

Based on the best tracks on this new synth pop collection, 1979 was a time that drew equally from traditionalist pop songcraft and new musical technology.

Steppin’ Out: The Roots of Garage Rock 1963-1965 immediately becomes an efficient, economical alternative to all kinds of crate-digging and online scouring.

Listening to The Return of the Durutti Column is like being given the key to a world that, while not as secret as before, is well worth exploring.

So, Here We Are: Best of Doves shows how their secret is making music that’s grandiose yet unpretentious. It’s big music with a small ego.

As Everything But the Girl, Tracey Thorn and Ben Watt were one of the most unique British acts of the 1980s and 1990s.

OMD’s Crush is a self-contained, ultra-romantic package that both encapsulates and transcends the 1980s. They had never sounded this sleek, sexy, and cool before

Dance Called Memory is something of a pivotal album in its own modest way. It’s Nation of Language’s most introspective and darkest record.

With International, these pop academics have left us with one final lesson: if you must fade away, do so gracefully. Saint Etienne most certainly have.

In the years since his death in 1972 from kidney disease, Kenny Dorham has become one of those artists who are famous for not having been famous—for being underrated.

Power pop was always music for other musicians to like, or for people whose record collections eclipsed their social lives. The songs were catchy and poppy.