Peter Stanfield’s ‘A Band With Built-In Hate’ highlights redundancy, aggression, obsolescence, and ambiguity in Townshend’s lyrical stance and the Who’s performing methods.
Woven into Utopia Avenue David Mitchell stitches a subtle critique of the impacts of the pot-heavy, lysergic-immersed, and heady music’s ambitions on pop culture, moral choices, and even tripping itself.
Mark Doyles biography of the Kinks might complement a seminar in British culture. Its tone and research prove its intent to articulate social critique through music for the masses.
More than just a tale of one man's fall, Balzac's Lost Illusions charts how literature becomes another commodity in a system that demands backroom deals, moral compromise, and connections.
From Marion Turner's work, Chaucer: A European Life, Chaucer emerges as a man who lived through intrigue, rebellions, a peasant's rising, and above all, a determination to translate.
With Aquinas and the Market, economist and theologian Mary L. Hirschfeld begins a necessary conversation between economic and theological sectors, in the academy and, one hopes, outside the ivory towers and seminaries, to calculate our ultimate worth.