The authors of a new and expansive oral history talk with us about Los Angeles’ 1980s glam metal scene and their book, Nöthin’ But a Good Time.
"Starting this new solo thing has reinvigorated me in a way," says former Ben Folds Five drummer Darren Jessee, shortly after dropping his best album to date. "To get a fresh start this late in something you've been doing so long is really a great feeling."
Joe Wong, the composer behind Netflix's Russian Doll and Master of None, articulates personal grief and grappling with artistic fulfillment into a sweeping debut album.
After suffering through the pressures and losses of years past and laboring on their album in practical anonymity, the Wrens have hit the ground running.
Mike Edison's biography on the Rolling Stones' Charlie Watts, Sympathy for the Drummer is a full-throated assault on the notion that, in music, more is better, and that perfection is a friggin' virtue.
As discussed with sports authors Steve Johnson and Greg Oliver, The Storytellers is a celebration of the strange magic behind professional wrestling matches.
Author C. M. Kushins talks with PopMatters about the complicated legacy of Warren Zevon, from crack-up to recovery and back again, and his research for Nothing's Bad Luck: The Lives of Warren Zevon.
Ryan Walsh chronicles the making of Van Morrison's Astral Weeks and the chaotic Boston scene that gave birth to it and tells us all about it in this expansive interview.