On Trouble and Strife, Joan Osborne goes Americana and interviews immigrants and tells a story of persevering in these extraordinary and difficult times. Osborne chronicles what she sees and challenges listeners to take action.
One year since the release of Morcheeba's Blaze Away, the band unleash a special edition full of remixes, which leads to questions of how their process works, how some songs got remixes and others didn't, and what the next 20 years of Morcheeba look like.
After exploring darker themes on their last two full-lengths, Peter Bjorn and John start a brand new tour by diving through their past and rummaging for songs that almost never saw the light of day.
From crafting the acclaimed soundtrack to Max Max: Fury Road to his latest score for Alita: Battle Angel, Junkie XL talks with PopMatters about his film score work and what draws him to classic scores from the '50s.
Working on a covers album by one of your heroes prior to him unexpectedly dying may suddenly alter the course of your tribute, and for the Pains of Being Pure at Heart's Kip Berman, it changed him profoundly.
Barry Jenkins' If Beale Street Could Talk is a thought-provoking tale of both love and injustice, and in working with Moonlight composer Nicholas Brittell, the two find compelling musical motifs from unexpected places.
Disco legend Giorgio Moroder and composer Raney Shockne created the musical score for ‘Queen of the South’. We talk with them about their “electro-noir”.
From forming her own record label to starring on the hit Netflix series GLOW, Kate Nash seemingly has it all, but still can't get over a goat named Black Phillip.
With Project Mama Earth, soul singer Joss Stone lets the music guide her through her most natural stylistic detour yet.
Josh Hodges is launching yet another vault release of rarities, but his feeling towards the process and the peace that he's found prove distinct in its own right.
