
Stuck’s New LP Is Bizarre and Surprising in a Good Way
Stuck crank up the intensity in melody and harmonic texture, layering dominant melodic lines over a foundation of chords and central themes.

Stuck crank up the intensity in melody and harmonic texture, layering dominant melodic lines over a foundation of chords and central themes.

Bill Callahan reprises some familiar themes on My Days of 58, from constructing a simulacrum of oneself through songwriting to the weight of depression.
Bonnie “Prince” Billy’s new LP is strengthened by communal tendencies, meeting bombs in Iran and executions in Minneapolis not with clenched fists of protest, but with hugs.
Archers of Loaf’s Reason in Decline is an excellent record from a great band that has been on a recording hiatus for the better part of two and a half decades.
The Bobby Lees have always rocked and rocked hard, and they continue to do so on Bellevue; that part of the formula (thankfully) remains unchanged.
Ron Anderson’s The Ashfield Session features early takes of the Secret Curve material from Anderson’s famed PAK trio. This thing will blow your mind.
Listeners will enjoy Keeping You, the new LP of piano-led indie pop ballads from Julia Mark, but the reasons lead to a cloudiness of thought.
With their third LP Hellfire, Black Midi continue to put out adventurous and challenging music that keeps listeners on the tips of their toes.
The first thing you’ll notice about Rachel McElhiney is that deceptively powerful voice, which is a beautiful vehicle for her jazz-flecked tunes.
Pan American’s The Patience Fader mesmerizes with icy takes on pedal steel and glassy guitar, where notes flood and flicker deep into the horizon.
Perennial’s In the Midnight Hour is what you dial up on your car stereo when you’re looking to cruise with the windows down and scare your fellow drivers into a bit of submission.
Glenn Echo’s songs can be emotive and gratifying and gravity-defying and devastating even when stripped bare as on Ellenville Sessions.