Rachel McElhiney’s ‘I Love It Here’ Belies the Heart Beneath It All
The first thing you’ll notice about Rachel McElhiney is that deceptively powerful voice, which is a beautiful vehicle for her jazz-flecked tunes.
Justin Vellucci
Justin Vellucci is a staff writer for PopMatters and MusicTAP, a contributor to Pittsburgh Current, and a former staffer for Popdose, Delusions of Adequacy and Punk Planet. His music writing has appeared in national magazines like American Songwriter, alt-weeklies such as Pittsburgh City Paper, The Brooklyn Rail and San Diego CityBeat, blogs Swordfish, Punksburgh and Linoleum, and the Gannett publication Jetty. He lives in Pittsburgh.
Pan American’s ‘The Patience Fader’ Is Mesmerizing
Pan American’s The Patience Fader mesmerizes with icy takes on pedal steel and glassy guitar, where notes flood and flicker deep into the horizon.
Perennial’s ‘In the Midnight Hour’ Is the First Great Punk LP of 2022
Perennial’s In the Midnight Hour is what you dial up on your car stereo when you’re looking to cruise with the windows down and scare your fellow drivers into a bit of submission.
Glenn Echo Strips Acoustics Bare on ‘Ellenville Sessions’
Glenn Echo’s songs can be emotive and gratifying and gravity-defying and devastating even when stripped bare as on Ellenville Sessions.
Melvins Go Acoustic But Still Sound Somehow Like, Well, the Melvins
At its finest, Melvins’ Five-Legged Dog is downright transgressive, suggesting all sorts of alternate-history narratives for these Washington-bred weirdos.
Sufjan Stevens Collaborates With Labelmate But the LP Is All Sufjan
Sufjan Stevens is taking aim on A Beginner’s Mind with catchy alt-folk that soothes the ear while placing bitter contents below the surface.
Gotham’s Antique-Garde Marches Onward with Erik Della Penna’s ‘Rainy EP’
Erik Della Penna has a brilliant ear and quick wit and is best known for exercising the guitar and banjo strings in Kill Henry Sugar and Hazmat Modine.
‘Attic Tapes’ Illuminates the late Tim Taylor as the Epicenter of Brainiac’s Genius
Attic Tapes might be Record of the Year material for those who followed Brainiac back in the day. And it might also be a gem solely for completists.
Black Midi Avoid the Sophomore Slump on ‘Cavalcade’
Black Midi’s Cavalcade is a great LP, and though not a fully brilliant or complete masterwork, it will leave many others imitating these guys sucking wake.
Damien Jurado ‘The Monster Who Hated Pennsylvania’
Damien Jurado presents a collection of ten beguilingly potent song-stories about individuals determined not to be broken by gray circumstances.
Loscil’s ‘Clara’ Is a Beguiling Work
Loscil’s Clara is a beguiling work that toys with space between light and shadow while touching on themes of space and gravity as all-encompassing and inspiring as the universe itself.
Experimentalist Loren Connors and Post-rock’s David Grubbs Collaborate on ‘Arborvitae’
Loren Connors and David Grubbs’ Arborvitae is a beautiful and vexing little record that is aging like fine Kentucky bourbon. The 2003 album is out on vinyl.
