Entertaining and informative, High on the Hog disrupts the Eurocentrism entrenched in the culinary world that tends to devalue so-called ethnic foods.
Nida Manzoor’s punk rock comedy We Are Lady Parts beautifully captures that the performance and expression of Muslim identity are complex and multifaceted.
Superstore consistently depicts with humor and pathos how corporate America keeps working-class people in a perpetual state of precarity.
Whether influenced by 1970s folk and soft rock, 1980s post-punk, 1990s alternative and grunge music, or indie rock from the 2000s, guitars are all over this list.
Wolf Parade's debut, Apologies to the Queen Mary, is an indie rock classic. It's a testament to how creative, vital, and exciting the indie rock scene felt in the 2000s.
Can food alone undo centuries of anti-immigrant policies that are ingrained in the fabric of the American nation? Padma Lakshmi's Taste the Nation certainly tries.
The story of how structural inequalities have shaped Los Angeles can be found in Penny Dreadful: City of Angels but it needs to be in the forefront of season two.
As Showtime's brutally honest Nurse Jackie showed, there is nothing glamorous about addiction. It is a harrowing experience, and HBO's Euphoria, season one, fails to capture that.