
The Best Song on KiKi Holli’s New EP Belongs to INXS
KiKi Holli made her name interpreting Dusty Springfield on a New York stage. She is a superb interpreter. Her own writing hasn’t quite caught up yet.

KiKi Holli made her name interpreting Dusty Springfield on a New York stage. She is a superb interpreter. Her own writing hasn’t quite caught up yet.

The most striking thing about Tekno’s Where Did Love Go? isn’t that he sounds unaware of the changes in Afrobeats, but that he seems comfortable ignoring them.

Ten years after they walked away from it, Virginia’s Matt Jones and the Bobs return with a plainspoken record about getting older and staying who you were.

Football is the world’s game because everyone can play it. The best moments on the Official FIFA World Cup 2026 Album understand that pop is, finally, the same.

SLIFT tell us that the planet is on fire and the men with claws are dancing, but don’t sacrifice a decibel of their noise. It’s a small triumph of artistic discipline.

Four years in, Asake is no longer arguing. He is content, and content, on a record this carefully made, turns out to sound like something close to grace.

Food for the Wyrm’s dark folk debut, A Wicked Huntsman, is an eight-track meditation on the finality of death and the trauma of the living.

Donna Lewis’ album is for those returning home, or perhaps more accurately, for those who are finally ready to step into their next chapter with an open heart.

The Moss have taken the expansive energy of the Utah peaks and the Hawaiian shores and concentrated it into something sharp, unyielding, and entirely their own.

Mr Eazi and King Promise’s See What We’ve Done lands like a pulse check: messy, breathing, and defiantly human.

Emma Harner’s Evening Star is a remarkably assured debut. She knows that technical mastery means nothing without emotional weight to anchor it.

Nigerian hip-hop artist Johnel creates what he calls “borderless music”, a synchronous vibration that resounds across nations and faith.