Just Keep Writhing Jessica Hopper
Music critic Jessica Hopper is revivified by high stakes for the second coming of The First Collection.
Music critic Jessica Hopper is revivified by high stakes for the second coming of The First Collection.
The world badly needs more feminine aggression and Tanya Pearson is doing the work with her excellent new book, Why Marianne Faithfull Matters.
Arielle Zibrak’s ‘Guilty Pleasures’ is such a fun and fast conversation that reading it feels like having brunch with a hilarious dear friend.
Mol’s steady drip of accessible anecdotes in ‘Eating in Theory’ offers a slow-motion explosion of the connection between food and philosophy.
Virginie Despentes’ feminist arguments in her recently rebooted collection of essays, King Kong Theory, remain fresh and frustratingly relevant.
How much coke would a Conehead snort if a Conehead did snort coke? A lot says Laraine Newman in her memoir about her early days at Saturday Night Live.
The Cultural Impact of RuPaul’s Drag Race turns a fierce lewk without overriding any of the iconic moments served by its predecessors.
We can never have too many Jewish Atheists from Brooklyn publishing essays about life as they see it. Actress Melanie Chartoff's 'Odd Woman Out' has me wanting more.
Fran Lebowitz’s ubiquitous little smirk is still going as strong as ever because she never feels bad about herself.
This recent Tom Petty and the Heartbreakers biography sticks to the objective facts so closely, and the telling is so firmly chronological, that the author tends to miss the forest for the trees.
Even as it irritates me, Kevin Mattson's We're Not Here to Entertain is worth reading because it has so much direct relevance to American punks operating today.
Like a properly tightened corset, the total effect of The Art of Drag lends a stunning shape to the art forms in question.