Film Noir Trio Showcases Edward G. Robinson on All Sides of the Law
The films in Film Noir: The Dark Side of Cinema XVII are united by one of Hollywood’s greatest actors, the almost casually brilliant and magnetic Edward G. Robinson.
Michael Barrett
Michael Barrett works in a public library. For more than 20 years, he wrote a monthly video column in the San Antonio Express News stressing classic and foreign films. His national publications include Video Watchdog, Nostalgia Digest and Retro Cinema. He's also written scripts that still await their destiny.
Chantal Akerman’s Evolutions and Revolutions
From kitchen epics to road odysseys, these nine Chantal Akerman films chart the evolutions and revolutions of one of modern cinema’s most important auteurs.
Chewing the Scenery and Chewing on Actors in ‘Man-Eater of Kumaon’
Sabu and a tiger foreshadow Byron Haskin’s special effects and science fiction adventures of humans vs. the elements in Man-Eater of Kumaon.
Inspector Maigret Mysteries Made in Occupied France
There’s no war going on in these subversive Inspector Maigret whodunits from occupied France, but there’s a lot more murder and paranoia than in the era’s newspapers.
1930s Cinema Gets Wild and Funny with ‘French Revelations’
1930s cinema gets wild and funny with French Revelations: Fanfare d’amour and Mauvaise Graine, talkies with impolite elements from Pottier, Wilder, and Esway.
The 20 Best DVDs of 2023
In our Best DVDs of 2023 list, along with some classic television, we have selected known treasures and unconventional films to satisfy the discerning cinephile.
‘Laurel & Hardy: Year One’ Shows Why 1927 Was a Vintage Year for Comedy
Most of the comedies in Laurel & Hardy: Year One starred others, so this set shows the evolution of the dual film by film, getting better as they go along.
Tod Browning’s Notorious “Freak Films” Leave a Lingering Aftertaste
Tod Browning’s macabre obsessions with making “freak films” may at first seem distasteful and exploitative, but their aftertaste induces food for thought.
French Wartime Noir ‘Strangers in the House’ Haunts
Whether as a star vehicle, a Simenon mystery, a wartime allegory, or merely a studio product, Strangers in the House is a rewarding French film that’s gone largely unnoticed.
‘Early Shorts of the French New Wave’ Breaks Through Stolid Filmmaking
These 18 short films in Early Shorts of the French New Wave showcase a consistency of personal expression, handheld style, and filming in the street.
The Dance and the Duel in Silent Epic ‘The Spanish Dancer’
Somewhere amid the swigging and carousing in restored silent film The Spanish Dancer it’s love at first eyeball for Don Cesar and Maritana
A Woman’s War Is Never Done: Wojciech Has’ ‘How to Be Loved’
A telling scene in Wojciech Has’ How to Be Loved comments on how a woman’s viewpoint must be injected into male-created art without permission.
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