Neorealism Meets Fairy Tale in Vittorio De Sica’s ‘Miracle in Milan’
If the escapism in Vittorio De Sica’s Miracle in Milan seems simple-minded, even simpler is the cure to society’s ills.
If the escapism in Vittorio De Sica’s Miracle in Milan seems simple-minded, even simpler is the cure to society’s ills.
Robert Siodmak’s reverse immigration film, Deported, and drama about capital and labor, The Whistle at Eaton Falls, were the last he’d make for Hollywood.
Márta Mészáros’ film Adoption is empathetic and beady-eyed about the negotiations and indignities of those caught up in social prejudices, especially women.
Restored 1936 Technicolor film Dancing Pirate crosses the early talkies’ vogue for absurd musicals with its other vogue for Hollywood Mexicana.
Fric-Frac is a character study of Jeanne Moreau’s role early in her starring career and The Scheming Women is bright with future French stars.
Icarus Films’ recent Blu-ray of Alain Resnais ‘short films ranges from footage of artworks with poetic narration to sensual color conveyed with a wink.
German director Robert Siodmak‘s 1930 comedy Farewell is a far cry from 1957’s Nazi-influenced crime thriller, The Devil Strikes at Night.
Douglas Sirk’s excellent and subversive drama, Written on the Wind, shows a rich family coming unglued, ungripped, unzipped.
Powell & Pressburger’s film version of Hans Christian Andersen’s “The Red Shoes” asks, is Art worth dying for?
OVIDtv specializes in documentaries and arthouse items such as these five French films of the 1950s and 1960s from directors Marc Allégret and Jacques Doniol-Valcroze. This is my catnip.
Hitchcock’s Rich and Strange follows a clueless English couple wandering the world and being chastened by what they find: their flawed selves.
We thoroughly inspect the four 1930s features and bonuses in The Film Detective’s The Sherlock Holmes Vault Collection.