Dave Longstreth returns with the poppiest album yet from his project Dirty Projectors. Lamp Lit Prose offers big hooks as well as plenty of nervy rhythms and typical sonic left turns, resulting in a soundscape that's both exhilarating and exhausting.
Someday Everything Will Be Fine is the best album yet from Spider Bags. It's an effort that pays loving homage to Dinosaur Jr. and other assorted acts that influenced their lurching brand of guitar-fueled madness.
North Carolina singer-songwriter Sarah Louise wanders the vast open spaces of nature for a unique and magnificent record.
The melodies on John Prine’s The Tree of Forgiveness are plentiful and infectious.
On the enchantingly experimental new album The Invisible Comes to Us, Anna & Elizabeth balance folklorist obsession with avant-garde sonic exploration, resulting in a deeply immersive and enriching opportunity for the ears.
Musician Dar Williams lets it all hang out with piercing opinions and shrewd take-aways.
Long eclipsed by the works of many country contemporaries, Kris Kristofferson and Rita Coolidge's first album, Full Moon, gets a new look.
Lotta Sea Lice, with its knotty, sinewy guitars and killer harmonies, is a generous album. Courtney Barnett and Kurt Vile pack in plenty with zero filler.
