
Tedeschi Trucks Band Shake Things Up with “Future Soul”
Derek Trucks discusses the new Tedeschi Trucks Band album and the logistics of co-fronting a 12-piece group with his guitar-slinging wife, Susan Tedeschi.

Derek Trucks discusses the new Tedeschi Trucks Band album and the logistics of co-fronting a 12-piece group with his guitar-slinging wife, Susan Tedeschi.

The Black Crowes have leaned into the familiar: hard, bluesy rock with just enough acoustic accoutrements to pacify the fans they found touring 25 years ago.
Listening to Lilly Hiatt’s Forever, her first album in four years, one can’t help but get swept along in her romantic bliss and the music’s hypnotic pulse.
The newest single from her forthcoming album, Forever, finds Lilly Hiatt romanticizing gas station snacks and walking around in the cold.
In Session documents the night a one-time blues jam between guitarists Albert King and Stevie Ray Vaughan turned into a legendary moment.
Can’t Steal My Fire: The Songs of David Olney introduces one of America’s great but overlooked songwriters to a broader audience.
Nite Owls is JD McPherson’s most fully realized front-to-back example of his talent yet, and it points the way to an even more exciting follow-up.
Americana singer-songwriter Shelby Lynne talks to PopMatters about her acclaimed new album, Consequences of the Crown, and the long road it took to get here.
This country tribute LP honoring Tom Petty could have been half as long and twice as good with Rhiannon Giddens, Dolly Parton, and Jamey Johnson as highlights.
Orgy of the Damned finds Slash and his many guests bashing through the most over-played blues standards with the subtlety and grace of Axl Rose in a china shop.
The Black Crowes’ Happiness Bastards gives us ten good reasons to believe that rock and roll is still a long way from the graveyard.
Rocker Jerry Joseph takes a bite of the Big Apple, enlisting producer Eric Ambel to make a NYC rock ‘n’ roll record, Baby, You’re the Man Who Would Be King.