While not their most unique project, Mykki Blanco’s Broken Hearts and Beauty Sleep presents a steady, mellowed pathos that’s genuine and hard to deny.
Electronic producer Eomac relocated to the Irish countryside from Berlin and the result is an evolution of his sound on the new album, Cracks.
The new debut from producers Lazerbeak and ICETEP, Night Stone offers dance and electrosoul that harkens back to the depths of a club that, for now, is largely inaccessible.
Mystic Familiar keeps Dan Deacon's signature musical appeal while utilizing a few new tools. The album delivers on the camaraderie and musicianship you expect from the Baltimore producer.
Four decades in the music business is no small feat, and yet the Pet Shop Boys enter the new decade sounding just as current and catchy as the pop landscape they helped construct.
Mura Masa's RYC turns towards nostalgia and ends up stunting the promise of his previous work, although it shows a willingness to experiment that proves the producer is still one to watch.
Cheap Queen undoubtedly establishes King Princess' talent, but it encounters issues with contrived affectations and productions that show less experimentation than seen on previous singles.
Electropop's Shura chats with PopMatters about her latest album forevher in which she infuses soulful grooves into her sound. Shura is currently touring the US and is set to begin her European tour in November.
The long-awaited third LP from Charli XCX is here at last, and nearly half-a-decade of anticipation weighs heavily on the artist and everyone else's expectations.
On her first album independent of Blonde Redhead, Kazu Makino arrives at a new stage in life, one she examines with the curiosity of a beginner.
Friendly Fires' first album in eight years, Inflorescent, brings the band's poppy, vibrant sensibilities to their full blast, a euphoria people definitely need in 2019.