Chicago-based Kill Audrey make hazy, chaotic hip-hop/party music for people who buy tall boys with their rent money. Watch the video for their new single, "Hometeam".
Dua Lipa's Future Nostalgia is near immaculate meta-pop that refuses to forego tight songwriting for nostalgic bells and whistles, helmed by a singer is exponentially more aware of what she's capable of.
Gia Woods' new single "HUNGRY" is a total whirlwind, an aggressive, snarling scream-along that clocks in at just under two minutes and demands to be replayed.
Gwen Stefani's solo debut transcends a cynical reading even in 2020, remaining a crown jewel in the formative pop sounds of the 2000s and beyond -- with a few concessions.
Brooke Candy's Sexorcism suggests a genuine, Freudian fixation on extreme pleasure and how it can be downright terrifying -- the shame and fear, the abjection and filth, the unpredictable transfers of power.
Slayyyter's debut mixtape suggests not only nostalgia for, but an intrinsic value in, a long-dead version of celebrity in which artists needn't make statements to achieve icon status.