Nick Malone

Nick Malone is a writer and podcaster living and working in Chicago. He co-hosts the cultural commentary podcast Thot Topics.
Kill Audrey’s “Hometeam” Is a Brutal Working-Class Flex (premiere)

Kill Audrey’s “Hometeam” Is a Brutal Working-Class Flex (premiere)

Chicago-based Kill Audrey make hazy, chaotic hip-hop/party music for people who buy tall boys with their rent money. Watch the video for their new single, "Hometeam".

That Kid’s ‘Crush’ Is a Glittering Crossroads for E-Boy Music

That Kid’s ‘Crush’ Is a Glittering Crossroads for E-Boy Music

That Kid's Crush stands out for its immediacy as a collection of light-hearted party music, but the project struggles with facelessness.

Dua Lipa Makes Kitschy Cool on ‘Future Nostalgia’

Dua Lipa Makes Kitschy Cool on ‘Future Nostalgia’

Dua Lipa's Future Nostalgia is near immaculate meta-pop that refuses to forego tight songwriting for nostalgic bells and whistles, helmed by a singer is exponentially more aware of what she's capable of.

Grimes’ ‘Miss Anthropocene’ Watches the World Go Out With a Whimper

Grimes’ ‘Miss Anthropocene’ Watches the World Go Out With a Whimper

Ironically, you may wind up wishing that Grimes' vision of a scorched Earth was a bit more fun.

Gia Woods Enters 2020 with Scream-Along Banger, “HUNGRY”

Gia Woods Enters 2020 with Scream-Along Banger, “HUNGRY”

Gia Woods' new single "HUNGRY" is a total whirlwind, an aggressive, snarling scream-along that clocks in at just under two minutes and demands to be replayed.

Kesha Makes Partying Sound Like a Chore on ‘High Road’

Kesha Makes Partying Sound Like a Chore on ‘High Road’

Kesha's fourth album, High Road, struggles to find something interesting about her new flask-toting flower child persona.

Can’t Keep a Good Hollaback Girl Down: The 15th Anniversary of ‘Love Angel Music Baby’

Can’t Keep a Good Hollaback Girl Down: The 15th Anniversary of ‘Love Angel Music Baby’

Gwen Stefani's solo debut transcends a cynical reading even in 2020, remaining a crown jewel in the formative pop sounds of the 2000s and beyond -- with a few concessions.

Brooke Candy’s ‘Sexorcism’ Is a Filthy Afterparty That Doesn’t Really Make Sense Before 3:00 AM

Brooke Candy’s ‘Sexorcism’ Is a Filthy Afterparty That Doesn’t Really Make Sense Before 3:00 AM

Brooke Candy's Sexorcism suggests a genuine, Freudian fixation on extreme pleasure and how it can be downright terrifying -- the shame and fear, the abjection and filth, the unpredictable transfers of power.

Slayyyter’s Love For ‘Blackout’ Era Britney Spears Informs Her Debut Mixtape

Slayyyter’s Love For ‘Blackout’ Era Britney Spears Informs Her Debut Mixtape

Slayyyter's debut mixtape suggests not only nostalgia for, but an intrinsic value in, a long-dead version of celebrity in which artists needn't make statements to achieve icon status.