
Remembering Éliane Radigue: Godmother of Drone
People say that there are four oceans, but one could reasonably argue that there’s a fifth: the one created by Éliane Radigue and her legion of cosmic drones.

People say that there are four oceans, but one could reasonably argue that there’s a fifth: the one created by Éliane Radigue and her legion of cosmic drones.

There’s a real “something-wicked-this-way-comes” energy here in Taroug’s “1995”.

Listening to Paul St. Hilaire’s new LP makes you feel like you’re submerged 10,000 feet underwater, yet you don’t mind—all you want to do is dive deeper into the murk.

D’Angelo’s presence loomed large over the neo-soul in the 1990s and 2000s, but his music stood out for its lightness, its subtlety, sparseness, and deftness of touch.

Immersion discuss the current state of the music industry, and—most importantly—the role of the artist in today’s world: “to provoke in a positive way”.

Whether she’s creating music for the dance floor or the yoga studio, Kaitlyn Aurelia Smith continues to blend disparate styles into her unique sonic melting pot.

Geographically Misha Sultan’s roots may be in Siberia, but sonically they’re everywhere. Ambient, dub techno, krautrock, chill-out—he does it all.

Beach House are always tinkering around the edges of their sonic universe, getting darker, weirder, subtler, and more expansive. They do that on Once Twice Melody, and the payoff is enormous.
The simplistic, elegiac beauty of Tangerine Dream’s Raum pays homage to their classic LPs while remaining grounded in 2022.
If DJ Python’s Mas Amable felt watery, Club Sentimientos feels oceanic. It’s vaster, fuller, and more expansive than anything Bryan Pineyro has ever made.
Bonobo’s Fragments represents a rare step back from one of the 21st century’s leading electronic luminaries. It doesn’t bring enough new ideas.
Godford’s I You She is one for the romantic ravers, the ones who come to the dancefloor not just for shits and kicks but genuine joy and beauty.