DJ Python’s New EP Fuses Breezy Ambience with Kick-Ass Riddims
If DJ Python’s Mas Amable felt watery, Club Sentimientos feels oceanic. It’s vaster, fuller, and more expansive than anything Bryan Pineyro has ever made.
Parker Desautell
Parker has published with The Wrong Quarterly, Everyday Fiction, The Sun Chronicle, and Cadaverine Magazine. He graduated from Eastern University with degrees in English and theology
Bonobo Lapses Into Watered-Down Chillout Music on ‘Fragments’
Bonobo’s Fragments represents a rare step back from one of the 21st century’s leading electronic luminaries. It doesn’t bring enough new ideas.
Godford’s ‘I You She’ Is One for the Romantic Ravers
Godford’s I You She is one for the romantic ravers, the ones who come to the dancefloor not just for shits and kicks but genuine joy and beauty.
Rival Consoles Gets Louder and More Theatrical on ‘Overflow’
It’s rewarding to hear Rival Consoles expand his range and infuse his unique brand of techno with more droning and expansive qualities on Overflow.
Nala Sinephro’s First LP is One for the Pantheon of Cosmic Jazz Classics
Nala Sinephro’s Space 1.8 is minimalist, an understated electroacoustic gem perfect for late-night listening. It’s one for the pantheon of cosmic jazz classics.
Anz’s ‘All Hours’ Embraces Pop Without Losing Her Sonic Range
Anz’s All Hours is one of the most exciting debuts of the year from one of the most thrilling new voices in club music. It’s music for the all-nighters.
Kaitlyn Aurelia Smith Discusses Recording With Emile Mosseri and the Power of Friendship
Kaitlyn Aurelia Smith chats about working with Emile Mosseri, music in general, her love of cows, and her awe for the electricity stored in our bodies.
Ulla’s ‘Limitless Frame’ Is Spine-Tingling and Hair-Raising in the Gentlest Sense
Ulla’s Limitless Frame is spine-tingling and hair-raising in the gentlest sense, about as far from “wallpaper” music as ambient can be. This is her most intimate record yet.
Lee Gamble Documents Sonic Overstimulation on ‘Flush Real Pharynx’
Lee Gamble’s music asks: how far you go before that human core is lost? How futuristic can techno become without losing its playfulness and elasticity?
Stigma Continues His Run of Doomy, Minimal Trip Hop on ‘Too Long’
Stigma’s Too Long is a seven-track vortex of sinister filter sweeps, bleary-eyed synths, and detonating rhythms. As his music gets darker and weirder, it gets better and better.
VC-118A’s ‘Spiritual Machines’ Wrests Life Out of Infernal Dub and Electro Regions
If Shift Register showcased Samuel van Dijk’s mastery of sound design, Spiritual Machines is where he pushes his skill into more definitive and purposeful directions.
‘Preacher’s Sigh & Potion’ Lacks the Swagger of Matthew Dear’s Best Records
On paper, Matthew Dear’s Preacher’s Sigh & Potion: Lost Album seems like the kind of album that deserves to come out of the vault.