Penelope Trappes’ ‘Penelope Three’ Is a Meditative LP of Sultry Vocals and Glossy Electronics
Penelope Three is not a pop record, but it is Penelope Trappes’ boldest, most straightforward work to date. On Three, Trappes holds nothing back.
Parker Desautell
Parker has published with The Wrong Quarterly, Everyday Fiction, The Sun Chronicle, and Cadaverine Magazine. He graduated from Eastern University with degrees in English and theology
Ground’s Rickety, Folkloric House Achieves Perfection on ‘Ozunu’
Like all the best dreams, Ground’s Ozunu stays both bizarre and entertaining the whole way through. The folkloric house achieves nothing shy of perfection.
Daniel Avery Gets Nostalgic on ‘Together in Static’
Daniel Avery’s Together in Static moves along at a glacial tempo, full of mournful ambience, slow-motion beats, and waterlogged synth tones.
Colleen’s ‘The Tunnel and the Clearing’ Takes Us Deeper Into Her Fuzzy Analogue Sound-World
Colleen has struck out on a course all her own and continues to inhabit one of the most distinctive sonic terrains today, as on The Tunnel and the Clearing.
‘Amnesiac’ Remains Radiohead’s Freest Record 20 Years Later
Twenty years ago, Radiohead stepped back on Amnesiac, deconstructing their trajectory and tinkering around the edges of their sonic universe.
Leon Vynehall’s ‘Rare, Forever’ Is Daring But Overstuffed
Rare, Forever may be Leon Vynehall’s most daring work, but unfortunately, the result is just too cluttered to achieve any sense of artistic transcendence.
Andy Stott’s Chopped and Screwed Techno Takes on Warmer Hues with ‘Never the Right Time’
Andy Stott’s Never the Right Time may be the most inviting record in his catalogue, an entry point into his funereal sound-world. It’s also one of his best.
Floating Points and Pharoah Sanders Create Experimental Electrojazz on ‘Promises’
Sparseness aside, there is an explosive energy lurking just under the surface of Floating Points and Pharoah Sanders’ Promises.
Smerz’s ‘Believers’ Is a Wild, Uneven Ride Through Trance, Hip-Hop, and Classical
Lyrically and sonically, Smerz’s Believer is a bold, risk-taking LP that charts a wild, uneven ride through trance, classical, R&B, and hip-hop.
Visionist’s ‘A Call to Arms’ Is Surprisingly Peaceful
Visionist’s A Call to Arms is a success. Louis Carnell has dialed down on the noise and written the most straightforward, emotionally-charged work of his career.
‘Yellow River Blue’ Is Yu Su’s Boldest, Most Eclectic Statement
Yellow River Blue is the latest in a string of success stories for electronic producer Yu Su, and it's her boldest, most eclectic statement yet.
A Krautrock Maestro and Folk Singer Team up for a Masterpiece
Krautrock’s Detlef Weinrich and folk’s Emmanuelle Parrenin team up for Jours de Grave, and it’s damn near perfect. It feels too organic and alive to be called “avant-garde”, even though it is.