Indigenous Australian writer, director, and actress Leah Purcell talks about reimagining Henry Lawson’s short story and inserting her family history into The Legend of Molly Johnson.
Director Charline Bourgeois-Tacquet talks with PopMatters about challenging the idea of cinema as an image-based art with her romantic comedy, Anaïs in Love.
Directors Joana Hadjithomas and Khalil Joreige talk about the making of Memory Box and reactivating the past through adolescent eyes.
Director Alli Haapasalo talks with PopMatters about the radical politics of Girl Picture and and calls for removing bias about queer and women’s stories.
Talking with Land of Gold director Nardeep Khurmi at Tribeca, he explains how his road trip drama serves as a badly needed “empathy machine” for divided America.
Lebanese director Mounia Akl talks with PopMatters about the act of resistance in making and participating in art and her feature debut, Costa Brava, Lebanon.
Juliette Binoche talks with PopMatters about acting, understanding others, and her admiration for her character’s selfish nature in Both Sides of the Blade.
In our preview of Fantasia International Film Festival 2022, we highlight several films that stimulate viewers’ emotional, cultural, and social intellect.
From pro-choice clergy to profit-seeking mafia, The Janes directors Tia Lessin and Emma Pildes on what they’ve learned about America while researching for this urgent documentary.
Director John Patton Ford discusses his debut feature Emily the Criminal, a critique of American society borne within the death of the American Dream.
Director Daniel Roher met face-to-face with the intensely intelligent and deeply motivated Alexei Navalny and together created a film that compels global political action.