Director Sharon ‘Rocky’ Roggio discusses her documentary, 1946: The Mistranslation That Shifted Culture, and how the Bible has been weaponised against the LGBTQIA+ community.
Filmmaker Mark Cousins’ My Name Is Alfred Hitchcock uses provoking ideas to encourage expanding our understanding of the works of this 20th-century giant of cinema.
Like pride before a fall, the psychological drama God’s Creatures critiques the sentimentality of blood and the tribal mindset of loyalty above conscience.
The 95th Academy Awards laid bare a political contradiction, and an attempt to fix a lack of previous recognition for Jamie Lee Curtis was controversial. But is Hollywood still just flirting with the change it needs to make?
French true crime adaptation The Night of the 12th (La nuit du 12) is a response to the fraught relationship between men and women, and the detective as metaphor.
Michael B. Jordan’s directorial debut Creed III escapes the shadow of Apollo, Rocky, and Drago and finds new ground for Donnie and the Creed spin-off series to build their own legacy.
Premiering at Sundance 2023, horror-thriller Run Rabbit Run bridges the fantastical or imaginary and the horror of being human.
Premiering at Sundance 2023, Cory Finley’s Landscape with Invisible Hand effectively uses sci-fi to gaze into the future and look back on humankind’s dark heritage.
Director Antoneta Kusijanovic discusses honouring the resilient spirit of young adults in her award-winning debut feature Murina.
The Disappearance of Shere Hite director Nicole Newnham talks with PopMatters about capturing a nuanced portrait of a woman who spoke out about sexuality and reproductive rights amidst extreme opposition in America.
The Dardenne Brothers, Jean-Pierre and Luc discuss moving beyond the label of “unaccompanied immigrant” in their humanist immigration drama, Tori and Lokita.
