
‘I Love Boosters’ Is Not the Critique of Capitalism It Claims to Be
Director Boots Riley and critics interpret I Love Boosters as an anti-capitalist, if not revolutionary, tale. Quite the opposite, in fact.

Director Boots Riley and critics interpret I Love Boosters as an anti-capitalist, if not revolutionary, tale. Quite the opposite, in fact.

Anselm Kiefer’s recent exhibit at SLAM explores beauty where fresh and salt waters meet, but I cannot see the river as a refuge, as Kiefer does, only as a threat.