
Jesper Lindell Goes for a Big Adventure on ‘Jackson Highway’
Jesper Lindell and company are faithful to the spirit of the original versions of these songs, but they bring their own energy as well.

Jesper Lindell and company are faithful to the spirit of the original versions of these songs, but they bring their own energy as well.

Everybody ought to dive into the wild, eclectic, joyful zydeco of Clifton Chenier. Even the accordion averse might decide they love it.

Legendary soul singer Mavis Staples draws on classics, old and new, to deliver her own State of the Union address. Her message is more relevant and urgent than ever.

The reissue of Furry Lewis’ Back on My Feet Again captures a daylong recording session at Sun Records from 1961.

The Journals is a testament to the lovely friendship of Justin Townes Earle and Sammy Brue, initiated and fostered by the music they both loved.

A well-curated reissue celebrates Elton John’s best album, Captain Fantastic, a half-century after its release.

Fueled by the international hit “Maria”, 1999’s No Exit brought Blondie back to life. The record has an admirable sense of adventure.

Gate of Horn highlights a set of new recordings of Memphis Slim’s best tunes, mostly credited to LC. Frazier, one of Slim’s several pseudonyms.

While 1990s college rock clearly informs much of Golden Apples’ Shooting Star, you might hear echoes of the Feelies and even the Velvet Underground.

Circa Waves’ Death & Love Pt. 1 has doubled the size of their January album, and it’s still one of the best pop records you’ll likely hear this year.

If you were to stumble into a pub somewhere in Wales late on a rainy evening, Robert Plant’s Saving Grace is precisely what you’d want to hear.

While nothing on the Ruen Brothers’ Awooo sounds explicitly like bluegrass, it’s infused with a dark mood that could clearly have been influenced by Appalachia.