
Hildur Guðnadóttir’s Beautiful Homecoming at Reykjavik Arts Festival
Hildur Guðnadóttir is the undisputed inheritor of Iceland’s classical mantle, and at the 2026 Reykjavik Arts Festival, she is finally back on stage in her homeland.

Hildur Guðnadóttir is the undisputed inheritor of Iceland’s classical mantle, and at the 2026 Reykjavik Arts Festival, she is finally back on stage in her homeland.
With “Record in Iceland” offering 25% subsidization of recording costs, Iceland hopes to support native artists and achieve international notoriety.
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Squid follow up 2020’s Bright Green Field with a tighter, leaner, more refined version of their signature melding of sonic chaos and compositional ambition.
On Wednesday’s spectacular Rat Saw God, the North Carolina quintet weave a vivid tapestry of misery led by Karly Hartzman’s ekphrastic storytelling.
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Mac Demarco’s instrumental sixth record, Five Easy Hot Dogs, recorded in hotels and motels over four months, floats by in a tranquil, listless haze.
Dry Cleaning follow last year’s breakthrough debut with Stumpwork‘s indie-flavored post-punk woven together via Florence Shaw’s dispassionate musings.
Trixie Mattel discusses her new double album, the drive to stay authentic in drag, and the ways her superstar persona affects her real life.

Like a well-balanced dish, Fresh Pepper carries a host of elements – goofiness, listlessness, warmth, and desire – that make it a hearty meal.

Conceived under fraught circumstances and rife with youthful passion, Foo Fighters’ most cherished album, The Colour and the Shape, is also a relic, never to be replicated.

On Mr. Morale & The Big Steppers, renowned rapper Kendrick Lamar observes the strife plaguing his kingdom and consciously abdicates the throne.