Films like The First Year play a crucial role in how nations negotiate and re-negotiate their self-image, and its reemergence is yet another step forward for post-Pinochet Chile.
Inspired by Didier Eribon’s eponymous autobiography, Jean-Gabriel Périot’s film Returning to Rimes (Fragments), urges French citizenry to reinvent democracy.
Meditations on being Black in America, Chameleon Street and James Baldwin: From Another Place, complement each other in NYFF’s Revivals Program.
The ’70s were politically charged when Assault on Precinct 13 was released. Our perception of the film’s message is the only thing that has changed since.
The Soviet people feel so close in Sergei Loznitsa’s State Funeral, it’s as if you ask via whisper if they ever lost a family member to a show trial or gulag.
When America developed the hydrogen and atom bombs in WWII, the Atomic Age's eyes opened upon our species. They have yet to blink. Judy Irving's Dark Circle is now available for on-line viewing from First Run Features.
The ongoing persecution of LGBTQ individuals in Chechnya, or anywhere in the world, should come as no surprise, or "amazement". It's a motif undergirding the history of civil society that certain people will always be identified for extermination.
Spike Lee's Da 5 Bloods engages with the notion of perpetual conflict. But how well does it fit into the current social milieu of demonstrations against police violence?
Hip-hop, the most lasting and revolutionary contribution to popular music in the post-War period, does not exist without the Last Poets Umar Bin Hassan's work.