‘Friday the 13th: Part III’ and the Third Dimension of the Incel
In Friday the 13th: Part III, Jason Voorhees’ evolving behavior hints at disturbing autonomy and sexual aggression that, in today’s parlance, we deem “incel”.
Ryan Dyer
Ryan Dyer is a cultural critic and fiction writer based in Canada. His work
explores the intersections of subculture, sexuality, and spectacle, with a
focus on heavy metal, horror, and underground music scenes across Asia
and North America. He has contributed to publications including New Noise Magazine, MetalSucks, and Absolute Underground.
An Insane Clown Posse Hatchetman for Every Deathmatch
Loud, theatrical, defiant, and determined to be heard on their terms, Insane Clown Posse lived the same struggles as every deathmatch wrestling performer.
A Serbian Film’s Dark Comedy
As political allegory, A Serbian Film dares viewers to laugh not because it’s funny, but because the scream is too loud to hear the subtext otherwise.
Nine Inch Nails’ Dive into the Green Decay
Just as J.G. Ballard framed decay and overgrowth as both terrifying and strangely beautiful, Nine Inch Nails’ The Fragile exists in that same green duality; lush, hypnotic, and suffocating.
Horror Movies and the Art of Dreaded Speculation
With rumored horror movies never made, and unrevealed scenes left on the cutting room floor, the unknown breeds speculation, and that speculation becomes its own horror subgenre.
Marebito’s Unnerving Subterranean Horror
Sharing stylistic and thematic similarities with other enigmatic Japanese horror films the Lovecraftian Marebito prioritizes mood, mystery, and existential dread over conventional thrill.
Ministry’s Mutation, Machinery, and the Mind of Al Jourgensen
With Ministry, Al Jourgensen didn’t just build a band; he built a machine that feeds on outrage, paranoia, politics, and addiction.
Filter in the Shadow of Nine Inch Nails
In 1999, Filter and Nine Inch Nails reached a critical juncture; both showcased artists wrestling with personal demons and creative control, but they couldn’t have been more different in presentation.
Junji Ito’s Hypnotizing Body Horror
In Junji Ito’s body horror manga Gyo, the invasive parasitic infection forces compliance. You will be taken, you will be inflated, and then you will dance.
‘Ghost in the Shell’ Haunts for a Second Life
For those who appreciate rich world-building, cyberpunk aesthetics, and speculative philosophy, Rupert Sanders’ Ghost in the Shell remains a rare cinematic treat, not a betrayal of its source material.
American Psycho’s Soundtrack to Duality and Deception
American Psycho‘s Patrick Bateman is the spiritual ancestor of the Rotten Tomatoes addict, the Metacritic worshipper, the Spotify listener who judges worth by stream count.
‘DREDD’, Peach Trees, and the Architecture of Oppression
Dystopian cyberpunk film DREDD may unfold within a single building, but that building is a microcosm of how power, poverty, and architecture intertwine to brutal effect.