‘Everything Everywhere All at Once’ and the Politics of Genre
In genre-busting sci-fi Everything Everywhere All At Once, the multiverse is not a genre but a metaphor that invites audiences to think about the complexities and politics of genres.
Ryan Poll
Ryan Poll is an associate professor in the English Department at Northeastern Illinois University where his research focuses on the intersection of aesthetics, politics, and ecology. His first book, Main Street and Empire: The Fictional Small Town in the Age of Globalization (Rutgers UP), examines how the fictional small town is used to frame and stage normative US narratives throughout the 19th-, 20th- and into the 21st century. His second book, Aquaman and the War on Oceans: Comics Activism in the Anthropocene (U Nebraska Press) argues that Aquaman is an important figure of ecological justice whose long and storied history helps us chart how global capitalism is destroying the Global Ocean. Other publications include essays on Get Out, neoliberalism, and the theater of genocide. Follow him on Twitter @RyanPoll2 and feel free to contact him via e-mail: [email protected].
Aquaman and the War Against Oceans (Excerpt)
Aquaman can be read as an allegory that responds to the climate change crisis, an era in which the oceans have become sites of warfare and mass death.
How Masculinity Fails in Jane Campion’s ‘The Power of the Dog’
Jane Campion’s The Power of the Dog undermines “toxic masculinity” – a term that evokes the existence of alternative masculinities.
Zack Snyder’s Theories of Justice
The creation of Zack Snyder’s Justice League shows that the powerful few fear any form of democracy—even when it’s about something as seemingly innocuous as a superhero film.
Amanda Gorman’s History Lesson: An Inaugural Poem in the Shadow of White Supremacy
From the onset, Amanda Gorman's poem, "The Hill We Climb", dissolves the ideology that a presidential inauguration announces the new and deracinates the present from the past.
Colonial Pandemics and Indigenous Futurism in Louise Erdrich and Gerald Vizenor
From a non-Native perspective, COVID-19 may be experienced as an unexpected and unprecedented catastrophe. Yet from a Native perspective, this current catastrophe links to a longer history that is synonymous with European colonization.
Spike Lee’s ‘Da 5 Bloods’ and Pedagogical Filmmaking in the Movement for Black Lives
As with Da 5 Bloods, Spike Lee's films are replete with experimental aesthetics that deconstruct the conventions of (white) Hollywood and re-frame and re-contextualize Black lives and Black history.
Reading Pandemics: From Boccaccio to Indigenous Futurism
Join us -- at a safe distance -- on this journey through the canonical and radical as we look to literary representations of pandemics in the past to help us understand the politics and possibilities of the present COVID-19 pandemic.
Why Boccaccio’s ‘The Decameron’ Can Help Guide Us Through COVID-19
Rather than write about death and the world unfolding in the throes of the Black Plague, Giovanni Boccaccio instead wrote about the utopian potential of storytelling.
‘Gloria Bell’: Silent Suffering and Disco Dancing in Late Capitalism
Gloria Bell painfully conveys that this economic system thrives on our isolation.