
Nicole Atkins Welcomes the Pain and the Pop Grandeur on ‘Drama’
Six years after her last LP, noir pop singer-songwriter Nicole Atkins returns with a resplendent record that turns isolation into theater.

Six years after her last LP, noir pop singer-songwriter Nicole Atkins returns with a resplendent record that turns isolation into theater.

With more than 200 artists and 300 events across Nashville, AmericanaFest showcases a genre expanding its reach while holding fast to its outsider identity.

Like Dallas Burrow, Townes Van Zandt was a proud Texan, and one presumes he would be pleased to see his music celebrated as part of this brilliant Lone Star fest.

Bristol duo Getdown Services turn everyday humiliations into cathartic, body‑moving anthems. Move to the beat and pay attention.
Something sexy and sleazy is at work, even when Mitch Woods sings the blues, like the heat of a good Creole sauce can make even a crawfish feel like an epicurean pleasure.

Ruthie Foster’s new LP succeeds because its optimism is carried by a voice that remains one of the most expressive instruments in contemporary roots music today.

Ghost Hounds’ rocking new LP, Justified, should please Rolling Stones fans. It even includes a blistering cover of their classic “Gimme Shelter”.

Recorded in her tiny backyard studio, Laura Veirs celebrates the personal for a public audience with Temple Songs.

The Family’s Delusions of Grandeur is a portrait of the COVID era, from its beginning to the present, showing the future has already passed.

You don’t need to watch the Netflix comedy Little Brother to appreciate the rich strangeness of Dan Deacon’s soundtrack.

These new acoustic renditions on Dark Horses illuminate the solitude, humor, and moral weight that have shaped Corb Lund’s Western storytelling

Indie folk artist Margaret Glaspy’s latest album, I Am Both, is a low-key masterwork of observational wisdom, lilting melodies, and sharp wit.