
Ghost Hounds Party Like Its 1969 with “Gimme Shelter”
Ghost Hounds’ cover of the Rolling Stones’ “Gimme Shelter” evokes the feeling that we’re on the edge of something dangerous.

Ghost Hounds’ cover of the Rolling Stones’ “Gimme Shelter” evokes the feeling that we’re on the edge of something dangerous.

The beauty of this EP lies in Sarah Blasko’s creative use of her personal demons to share deep feelings without being overwhelmed by them.

Dale Watson sings and writes about love, life, and liquor with equal fervour. He’s a passionate man, whether he’s crooning about yellow mustard or his own death.

Banshee Tree’s music is inclusive with an assortment of styles. From acoustic folk to psychedelic funk and jazz, their music is always moving.

The sound of Drivin N Cryin’s dirty electric guitar riffs, pulsating bass lines, pounding drums and lyrics is sorely needed as a refresher course in rock magic.

Aubory Bugg beautifully captures that period when we are free to imagine what our lives are and will be.

Ashley Monroe is not happy with the way she’s been treated by Music City. Dear Nashville is a concept record about her professional experiences.

Like Patsy Cline and Dolly Parton, one can easily recognize Leah Blevins’ articulations. Her country music voice is idiosyncratic in a completely positive way.

José González preaches to his audience like a folksinger, but his music shares more in common with chamber pop than with other Dylans due to his polished stylings.

SXSW has changed, but it still provides plenty of good music. The internet is full of old-timers who complain that the fest is not what it used to be.
Americana singer-songwriter Jim Lauderdale aims to make one smile, and he understands the best way to do that is to smile at the other person first.

Tenille Townes’ “we could use a little more” works as a necessary anodyne to the troubled times in which we live. Extreme times call for radical responses.