Sujatha Gidla's memoir is an example of history as told from down below, by the people who were involved in the labour and caste protests and the women who did the reproductive labour for the revolutionaries.
The whole book is a non-answer, and to take that risk, the author has to give something in return: a fleshed-out plot, more action, or elevated language.
Many can relate to the sense of being a monster in a human suit, of being “unnatural”, of the ways in which queer people are constantly reminded that something is amiss about their desire.
So Much Blue is a controlled novel of interwoven timelines about an artist coming to terms with the secrets he's kept from others.
In this expansive yet detailed and nuanced biography, Edmund Gordon allows the complex and endlessly fascinating Angela Carter to come alive on the page again
A brief, brutal, and exquisite novel set over the course of one day in a man's life in the refugee camps of war-torn northern Sri Lanka.
Hustvedt reminds us that the making and encountering of art is often embodied, rooted in material and biological and neurological functions.
A bleakly funny book and a classic of Dutch literature, The Evenings tells the tale of a young man dealing with boredom and self-loathing during the last days of 1946.
A servant of the Spanish crown finds himself in remote Paraguay, entertaining fantasies and delusions that clash with the actual circumstances of his position. A bleak, comic, and tragic story of alienation.
Walser's attentiveness to the world's capacity for beauty and kindness in a time of brutality is the most interesting aspect of this book.
The lights go off in a subsidiary office; the phone lines go down and the exits are closed off. What happens next is told by an employee keeping records via rubber stamps.