
Ben Wendel’s ‘BaRcoDe’ Is Unique and Uniquely Excellent
Ben Wendel has played with groove-oriented rhythms, electronics, and unusual instrumentation, as if jazz tradition were secondary to creativity.

Ben Wendel has played with groove-oriented rhythms, electronics, and unusual instrumentation, as if jazz tradition were secondary to creativity.

A trio like Walter Smith III’s is exceptional for its commitment to playing as a unit. Their jazz language as a whole can’t help but impress.

For all his success and longevity, John Pizzarelli seems youthful — funny and easygoing as a personality and, inevitably, always the son of his legendary dad, the guitarist Bucky Pizzarelli.

The Messthetics and James Brandon Lewis make fearless and non-smooth fusion with the clarity and dynamism of “post-hardcore” that wasn’t around in the 1970s.

Meg Okura creates a unique musical blend, and her new album with the Pan Asian Chamber Jazz Ensemble, Isaiah, is ambitious and lushly accessible.

Tomeka Reid’s music is full of the elements that have always made it fun to hear: a groove, memorable melodies, collective spirit, and conversation.

Dave Douglas’ Four Freedoms allows his elastic band to take chances and improvise outside the lines. It’s a wonderful session that liberates your ears.

The overall sensation of Melissa Alada’s Filin is not just beauty but distillation. The songs, even those without sung lyrics, get definitive interpretations.

Joel Ross takes his usual pyrotechnics and funnels them into a refined ensemble sound that also channels sincere, powerful jazz with a gospel center.

John Medeski colors each Julian Lage composition to perfection. For all its ease of listening, this album isn’t comfort food as much as a really balanced meal.

In 2026, Craig Taborn and other improvisers of his generation are at the peak of their creativity. This music has rarely been more elevated, refined, and exciting.

Jazz drummer Al Foster sounds like a miracle of melody, polyrhythm, and listening on this beautiful album, Live at Smoke.