Music

The Black Keys Celebrate the Electric Guitar on 'Let's Rock'

Photo: Alysse Gafkjen

The Black Keys loudly rock out with Let's Rock, an album celebrating the directness and enjoyment of the electric guitar.

Let's Rock
The Black Keys

Easy Eye Sound / Nonesuch

28 June 2019

When "Lo/Hi" was released as a single in March, it was clear that Dan Auerbach was going to keep his softer vocal style adopted for his new album with the Black Keys. Recorded as an ode to the electric guitar according to Patrick Carney, the Keys' ninth album, Let's Rock, accentuates Auerbach's vocal style from Waiting on a Song (2017) further with louder, dynamic guitar work and Carney's deliberate and effective drums and percussion. Together Auerbach and Carney have been a strong duo and their work as the Black Keys has consistently delivered soaring 21st-century rock that is retro, DIY, and emblematic of modern marketing tools. Let's Rock progresses the Black Keys by staying true to Auerbach and Carney's shared interests while emphasizing their collaborative success and incorporating new influences and styles from solo and side projects.

After a five-year delay following 2014's Turn Blue, rumors swirled that the duo had a falling out, but as Carney revealed the two simply needed to unwind from years on the road. Both also pursued individual projects: Auerbach formed the Arcs, released a solo album and produced prolifically; Carney recorded the theme song for Netflix's Bojack Horseman, produced an album with Michelle Branch (and married her earlier this year), and formed Sad Planets with John Petkovic and released Akron, Ohio, an ode to his hometown.

Let's Rock resulted from those projects, at least in the new ventures and career directions of both Auerbach and Carney. It was recorded at Auerbach's Easy Eye Sound studio in Nashville and was produced only by the two. The album's sound is similar to their early records but with the production capabilities afforded by their success and craft after eight albums, extensive touring, and "normalcy" as Carney called the last few years.

Auerbach's vocal style is the most apparent difference for Let's Rock in comparison to the raw and rougher style he had used on previous efforts. It's softer, too, and complemented by loud and distinctive guitar across the entire record. Opening track "Shine a Little Light" blasts a bombastic and sweltering guitar performance, and cuts like "Sit Around and Miss You" and "Breaking Down" feature distinctive and 1970s-esque jangly guitar parts that simplify the overproduction of albums like Turn Blue to highlight the musicianship and rock the Black Keys celebrate with Let's Rock.

The third single "Go" is built around a grungy guitar performance and riffs, and its music video pokes fun at the supposed rift that existed between Carney and Auerbach. A psychiatrist abruptly tells Auerbach and Carney they "at the Black Keys goddammit, America's sweetheart", telling them all they have to do is "talk". It's a subtle nod that may only reference the rumored rift between the two, but after listening to Let's Rock it could also be a reference to the simplicity of the album and its directness in the lyrics and music.

The album's focus on simplicity, with guitar and drums out front, offers a groovy and moody tracklist altogether, and a feeling of love for their music and their friendship between Auerbach and Carney. "Walk Across the Water" carries this theme of love and support strongly, albeit without necessarily pointing at the camaraderie and collaboration of the duo. Alternatively, "Under the Gun" exudes solitude and running from pressure, an admission of the duo's frenetic career over the past two decades?

Let's Rock is a brisk 39 minutes and closes emphatically with "Fire Walk With Me", a track that admits to being tired and confronting external pressure. That notion of external pressure is a looser theme across the tracks, featured most prominently on "Every Little Thing", where Auerbach's lyrics warn against actions you wouldn't want turning back on you. One of the strongest aspects of Let's Rock is how it grows with repeated listens, closer "Fire Walk With Me" turns back into opener "Shine a Little Light" nicely. Repeated listening is a benefit from Let's Rock, and the band's promotion that it includes 12 gems is less of a boast when you revisit the album repeatedly.

The album's style initially seems to steer starkly away from the band's catalog, particularly in returning to the Black Keys' DIY and self-production ethos. That's where its "gems" lay, by returning to their stylistic roots and incorporating recent projects and efforts, the Black Keys have delivered on the album's promise and in review, this is a strong rock album: lyrically moody and musically loud.

7
Music


Books


Film


Recent
Music

The Top 20 Punk Protest Songs for July 4th

As punk music history verifies, American citizenry are not all shiny, happy people. These 20 songs reflect the other side of patriotism -- free speech brandished by the brave and uncouth.

Books

90 Years on 'Olivia' Remains a Classic of Lesbian Literature

It's good that we have our happy LGBTQ stories today, but it's also important to appreciate and understand the daunting depths of feeling that a love repressed can produce. In Dorothy Strachey's case, it produced the masterful Olivia.

Music

Indie Rocker Alpha Cat Presents 'Live at Vox Pop' (album stream)

A raw live set from Brooklyn in the summer of 2005 found Alpha Cat returning to the stage after personal tumult. Sales benefit organizations seeking to end discrimination toward those seeking help with mental health issues.

Love in the Time of Coronavirus

‘The Avengers’ Offer a Lesson for Our Time of COVID-19

Whereas the heroes in Avengers: Endgame stew for five years, our grief has barely taken us to the after-credit sequence. Someone page Captain Marvel, please.

Music

Between the Grooves of Nirvana's 'Nevermind'

Our writers undertake a track-by-track analysis of the most celebrated album of the 1990s: Nirvana's Nevermind. From the surprise hit that brought grunge to the masses, to the hidden cacophonous noise-fest that may not even be on your copy of the record, it's all here.

Music

Deeper Graves Arrives via 'Open Roads' (album stream)

Chrome Waves, ex-Nachtmystium man Jeff Wilson offers up solo debut, Open Roads, featuring dark and remarkable sounds in tune with Sisters of Mercy and Bauhaus.

Featured: Top of Home Page

The 50 Best Albums of 2020 So Far

Even in the coronavirus-shortened record release schedule of 2020, the year has offered a mountainous feast of sublime music. The 50 best albums of 2020 so far are an eclectic and increasingly "woke" bunch.

Books

First Tragedy, Then Farce, Then What?

Riffing off Marx's riff on Hegel on history, art historian and critic Hal Foster contemplates political culture and cultural politics in the age of Donald Trump in What Comes After Farce?

Reviews

HAIM Create Their Best Album with 'Women in Music Pt. III'

On Women in Music Pt. III, HAIM are done pretending and ready to be themselves. By learning to embrace the power in their weakest points, the group have created their best work to date.

Music

Amnesia Scanner's 'Tearless' Aesthetically Maps the Failing Anthropocene

Amnesia Scanner's Tearless aesthetically maps the failing Anthropocene through its globally connected features and experimental mesh of deconstructed club, reggaeton, and metalcore.

Music

How Lasting Is the Legacy of the Live 8 Charity Concert?

A voyage to the bottom of a T-shirt drawer prompts a look back at a major event in the history of celebrity charity concerts, 2005's Live 8, Philadelphia.

Music

Jessie Ware Embraces Her Club Culture Roots on Rapturous 'What's Your Pleasure?'

British diva Jessie Ware cooks up a glittery collection of hedonistic disco tracks and delivers one of the year's best records with What's Your Pleasure.

Reviews
Collapse Expand Reviews

Features
Collapse Expand Features
PM Picks
Collapse Expand Pm Picks

© 1999-2020 PopMatters.com. All rights reserved.
PopMatters is wholly independent, women-owned and operated.