
Jay-Z’s 1999 Album ‘Vol. 3’ Is His Most Aggressive
In Jay-Z’s Vol. 3… Life & Times of S. Carter, the ever-undeterred MC sounds anything but as he fulminates on one end and tightens his durag on the other.

In Jay-Z’s Vol. 3… Life & Times of S. Carter, the ever-undeterred MC sounds anything but as he fulminates on one end and tightens his durag on the other.

The Messthetics and James Brandon Lewis make fearless and non-smooth fusion with the clarity and dynamism of “post-hardcore” that wasn’t around in the 1970s.

Bruno Mars’ fourth solo album, The Romantic, is as impeccably crafted as ever, but says nothing new about his place in the world of pop.

Glorious gloom permeates the musical catalogue of Swedish singer-songwriter Fågelle, and her album Bränn min jord overflows with it.

Connor Armbruster is not only a brilliant musician but a refreshingly restless one Half My House is a unique and tuneful spin on traditional Irish music

Assuming personal stability is necessary for collective betterment, it’s high time that Gorillaz share their newest, loving, bizarre journey with the rest of the world.

Andy Beta’s Alice Coltrane biography, Cosmic Music, is an excellent work about this forward-thinking and often misunderstood musician.

Born from a cover-song subscription model, Xiu Xiu’s latest album unearths the raw humanity in pop confections. Jamie Stewart discusses this and more.

On her eighth album, Nothing’s About to Happen to Me, singer-songwriter Mitski employs a country-folk sound to reflect the peace found in isolation.

Shane Parish thrives on conceiving projects that seem contradictory and overly challenging, yet come off as effortless and innovative.

Legendary soul singer Mavis Staples draws on classics, old and new, to deliver her own State of the Union address. Her message is more relevant and urgent than ever.

Herzog’s Aguirre and Deodato’s Cannibal Holocaust present the Amazon as a space of destruction, survival, and moral reckoning. Both approaches raise ethical questions.