
What Gen X Thinks of Millennial Metalheads
One of the strangest things about being a Millennial in heavy music is realizing that you are basically Gen X’s baby goth.

One of the strangest things about being a Millennial in heavy music is realizing that you are basically Gen X’s baby goth.

Jon Hopkins and Biggi Hilmars’ soundtrack, Wilding, achieves something modest but meaningful — music that makes space for the land to breathe.

With crime drama Josephine, Beth de Araújo has crafted a film that first and foremost doesn’t need to be reckoned with so much as sat with.

Tomeka Reid’s music is full of the elements that have always made it fun to hear: a groove, memorable melodies, collective spirit, and conversation.

Barry Walker Jr.’s songs are at once somber and celebratory; they sound like a constant soundtrack to discovery, rebirth, or a hard-won peace.

In future generations, it is easy to see Depeche Mode’s “Stripped” inspiring the same sensual viscerality as humans being penetrated by their AI sex dolls.

Mellon Collie and the Infinite Sadness was a huge triumph in 1995, elevating the Smashing Pumpkins to global icons during their 1996 world tour.

Potential comes in many forms, and for congratulations, it stems from the musicianship: high and mighty, stealth and singular.

Decoration Day was the album that proved Drive-By Truckers weren’t going to be a flash in the pan. It’s a triumph from start to finish.

Ecstatic Visions is an ambitious interpretation of new and recent compositions from the unique duo of Stephanie Lamprea and Alistair MacDonald.

Austin homeboy recently celebrated the anniversary of Shakey Graves Day on 9 February by releasing a new single and video.

With his old-timey, soul-inflected voice, Rick Danko could sink like an anchor, plumbing the depths of existence that most singers would have to drown themselves to reach.