New Orleans' two great Louis, Armstrong and Prima, were formed by their hometown and its culture; though both left the city, it never left them or their music. They were both artists and entertainers, gifted musicians, and unabashed crowd-pleasers.
Nigel Kneale's book and screenplay, which Hammer Films made into Quatermass and the Pit, raises many provocative questions regarding the nature of human evolution and the conception of the devil itself.
In 1969, the deeply strange musician known as Captain Beefheart released an album that is still ahead of its time a half-century later. PopMatters spoke with musicians and writers about this landmark work of art and why it continues to fascinate.