PopMatters is moving to WordPress in December. We will continue to publish on this site as we work on the move. We aim to make it a seamless experience for readers.

Events

Bonnaroo 2008 - Friday, 13 June

Bonnaroo now holds an odd place in the summer festival circuit. Although it is out of touch with its roots on some levels, it is looking ahead to the future to be able to sustain itself. With a Friday line-up bearing the likes of Metallica, My Morning Jacket, and MSTRKRFT -– it sums it up all in those three names. Metallica being the new generation of headliner material (thank the lord they nixed the two-night Widespread Panic runs), My Morning Jacket finding themselves a staple on the schedule, and MSTRKRFT falling in line with the current trend of electronic DJ late-night sets (because why not have booty bass at 3 A.M.?). That doesn’t even include the always-pleasant surprises you’ll find along the way. People complained about the Bonnaroo headliners this year, but what they didn’t take a look at was the depth within every genre across the board.

The crowd has been interesting, to say the absolute least. For one thing, I’ve never seen much cocaine at the likes of a festival with supposed “free-spirits", but people flocked to the white stuff. Some may say Metallica caused it, others just stopped being affected by Red Bull, and so they turned to making their entire face numb for an all-night marathon. The hippie factor has diminished quite substantially, probably because they weren’t offered to see String Cheese Incident for the 27th time this year or the produce prices got too high to sell their new-aged bullshit.

Jose Gonzalez

After a wretched morning of chasing whiskey with beer with frat boys and Volvo kids alike, the only thing I needed in my life was Jose Gonzalez. Although he had quite the battle with the bands playing at other stages flooding into his sound, he always finds a way to trooper through being the little guy with nothing but an acoustic guitar. As things got louder -- he played louder and captured everyone’s attention rather they wanted it captured or not. Gonzalez’s performance was proof that if someone writes good songs consistently, people will listen. Rather than MGMT’s Thursday night performance where a small handful of songs held the crowd’s attention (although “Electric Feel” absolutely killed – yet, everyone was left standing with their hands in their pockets during filler.

I’ve been skeptical of Glen Hansard and Marketa Irglova since their independent hit Once -- because I couldn’t quite measure its level of authenticity. Some of the songs felt insincere, others felt heartbreakingly sincere. But I’ll tell you one thing. When these two take the stage live as under their new moniker, The Swell Season, every pore out of their humble bodies surged with emotion. Songs like “Falling Slowly", “Lies", and “Leave hold more weight than one would think live, and they transfer over into a full band format beautifully. Also, shockingly everyone in attendance knew all the words. In environment’s like Bonnaroo you really get to see artists breakthrough –- and the stars from Once had their work cut out for them.

Up next I had a very reluctant set on my hands. !!! (pronounced Chk Chk Chk, which is pretty damn funny to hear people and try and say leading up to the show) fell outside of their environment during a hot day set where people just seemed to be too exhausted to dance. Where they last left the crowd drenched in a mass of sweat a few months ago at Langerado during the night, the day just didn’t fare too well for the New York art-rockers.

After !!!, M.I.A. was scheduled to cancel, but she showed up for what she announced was her last show of the tour – although I missed the set, the information was somewhat troubling that the wrong information was reported from the press with regards to cancellations -– it frankly doesn’t help anybody out, and a “surprise” performance when she was already scheduled is just uncalled for.

Metallica

With a couple hours to relax, whiskey commenced in the campgrounds in preparation for my first (of hopefully many to come) Metallica performance. Chris Rock was set to play on the mainstage immediately before the legendary thrashers -– and it fit surprisingly well. Rather than spending hours making fun of white people this time around, Rock went for the women. He may have caused a ruckus among a breeding ground of feminists, but when was Chris Rock not a name associated with controversial? I’ll spare you details on the jokes, because nothing is worse than trying to transcribe that into print form -– let’s just say he was in rare form and held one of the biggest audiences at the festival still standing at the end.

And while we are talking about big audiences, Metallica had the largest army of the night -– and to great avail, because they were hands down the masters of Friday. Generally, the headliners can be rather week –- but there was so much volume coming out of the speakers (not to mention the most active crowd of the weekend thus far) that you could hear booming far into the campsites. There were no flashy stage set-ups or any of that who-haw to distract from the performance –- the songs were plenty enough. Playing with lightning speed and accuracy, Hetfield, Hammett, Lars, and Trujillo played like they were 20 last night –- and it was un-fucking-believable. From start to finish hands were in the sky to classic cuts like “Nothing Else Matters", “Enter Sandman", and “The Unforgiven". Also included were deep cuts off their debut full-length Kill Em’ All with “No Remorse” and necks were left in pain during the speed-anthem “Whiplash". Hammett also appeared later in the night at the SuperJam (which included Les Claypool and members of Gogol Bordello) and during the My Morning Jacket set. [Download Metallica set]

Metallica - Whiplash

MSTRKRT

The late nights are always party time, and nothing starts a party like MSTRKRT at one in the morning. With rave tendencies and drug dependencies, this was one giant dance fest –- and rightfully so. One of the most talked about performances of Friday, everyone that left was spreading the word –- and it looks like this may have been exactly what they needed to escape the shadow of Death From Above 1979. Also playing was Tiesto, who shared the stage at certain points with Jose Gonzalez during “Crosses” and Tegan and Sara showed up to sing as well.

After slightly wearing down, I finished up my night at My Morning Jacket, who was surprisingly less than stellar this year at Bonnaroo (when usually they have legendary performances here; see 2006 setlist). The songs from their recently released Evil Urges unfortunately don’t fall in place with the rest of their set, therefore creating an inconsistent performance. This is the first time I’ve claimed this in my existence –- but I think the My Morning Jacket kool-aid I’ve been drinking might be slightly wearing off. Let’s wait for the next record before I jump too far ahead of myself.

All in all, Friday was beyond a success. The crowd was a lot less drug oriented and more people seemed to be here to actually see the bands playing. Always a complaint with Bonnaroo as more drug-oriented than music oriented, the tables may have finally turned –- and I have to commend the Bonnaroo organizers for their excellent decisions on the line-up this year. Now if you’ll excuse me, there is a full day ahead and a cooler of iced cold Pabst with my name on it.

My Morning Jacket

Please Donate to Help Save PopMatters

PopMatters have been informed by our current technology provider that we have until December to move off their service. We are moving to WordPress and a new host, but we really need your help to fund the move and further development.


Music

Books

Film

Recent
Music

Artemis Is the Latest Jazz Supergroup

A Blue Note supergroup happens to be made up of women, exclusively. Artemis is an inconsistent outing, but it dazzles just often enough.

Books

Horrors in the Closet: A Closet Full of Monsters

A closet full of monsters is a scary place where "straight people" can safely negotiate and articulate their fascination and/or dread of "difference" in sexuality.

Music

'Wildflowers & All the Rest' Is Tom Petty's Masterpiece

Wildflowers is a masterpiece because Tom Petty was a good enough songwriter by that point to communicate exactly what was on his mind in the most devastating way possible.

Music

Jazz Composer Maria Schneider Takes on the "Data Lords" in Song

Grammy-winning jazz composer Maria Schneider released Data Lords partly as a reaction to her outrage that streaming music services are harvesting the data of listeners even as they pay musicians so little that creativity is at risk. She speaks with us about the project.

Music

The 100 Best Albums of the 2000s: 100-81

PopMatters' best albums of the 2000s begin with a series of records that span epic metal, ornate indie folk, and a terrifying work of electronic music.

Books

The Power of Restraint in Sophie Yanow, Paco Roca, and Elisa Macellari's New Graphic Novels

The magical quality that makes or breaks a graphic novel lies somewhere in that liminal space in which art and literature intersect.

Books

'People of the City' Is an Unrelenting Critique of Colonial Ideology and Praxis

Cyprian Ekwensi's People of the City is a vivid tale of class struggle and identity reclamation in the shadows of colonialism's reign.

Music

1979's 'This Heat' Remains a Lodestone for Avant-Rock Adventure

On their self-titled debut, available for the first time on digital formats, This Heat delivered an all-time classic stitched together from several years of experiments.

Film

'The Edge of Democracy' and Parallels of Political Crises

Academy Award-nominated documentary The Edge of Democracy, now streaming on Netflix, lays bare the political parallels of the rise of Bolsonaro's Brazil with Trump's America.

Music

The Pogues' 'The BBC Sessions 1984-1986' Honors Working-Class Heroes

The Pogues' BBC Sessions 1984-1986 is a welcome chapter in the musical story of these working-class heroes, who reminded listeners of the beauty and dignity of the strong, sooty backs upon which our industrialized world was built.

Music

Mary Halvorson Creates Cacophony to Aestheticize on 'Artlessly Falling'

Mary Halvorson's Artlessly Falling is a challenging album with tracks comprised of improvisational fragments more than based on compositional theory. Halvorson uses the various elements to aestheticize the confusing world around her.

Music

15 Overlooked and Underrated Albums of the 1990s

With every "Best of the '90s" retrospective comes a predictable list of entries. Here are 15 albums that are often overlooked as worthy of placing in these lists, and are too often underrated as some of the best records from the decade.

Books

'A Peculiar Indifference' Takes on Violence in Black America

Pulitzer Prize finalist Elliott Currie's scrupulous investigation of the impacts of violence on Black Americans, A Peculiar Indifference, shows the damaging effect of widespread suffering and identifies an achievable solution.

Music

20 Songs From the 1990s That Time Forgot

Rather than listening to Spotify's latest playlist, give the tunes from this reminiscence of lost '90s singles a spin.

Film

Delightful 'Miss Pettigrew Lives for a Day' Is Good Escapism

Now streaming on Amazon Prime, Bharat Nalluri's 2008 romantic comedy, Miss Pettigrew Lives for a Day, provides pleasant respite in these times of doom and gloom.

Film

The 10 Best Horror Movie Remakes

The horror genre has produced some remake junk. In the case of these ten treats, the update delivers something definitive.

Television

Flirting with Demons at Home, or, When TV Movies Were Evil

Just in time for Halloween, a new Blu-ray from Kino Lorber presents sparkling 2K digital restorations of TV movies that have been missing for decades: Fear No Evil (1969) and its sequel, Ritual of Evil (1970).

Music

Magick Mountain Are Having a Party But Is the Audience Invited?

Garage rockers Magick Mountain debut with Weird Feelings, an album big on fuzz but light on hooks.


Reviews
Collapse Expand Reviews



Features
Collapse Expand Features

PM Picks
Collapse Expand Pm Picks

© 1999-2020 PopMatters.com. All rights reserved.
PopMatters is wholly independent, women-owned and operated.