Books

The World Without Us

"Is it possible that, instead of heaving a huge biological sigh of relief, the world without us would miss us?" It's hard to imagine this scenario of Gaia-istic empathy actually happening, but it is nonetheless an interesting question, particularly when one considers the source. Alan Weisman's The World Without Us is a doomsday scenario but a more thoughtful kind; one that's focused not so much on how the human race vacates Earth—deadly plague, the Rapture, sudden discovery of interstellar flight and innumerable inhabitable planets within easy range—but on what happens afterward. What does the planet do without humans around doing all of that building, eating, breathing, and polluting that we're known for? How fast does the kudzu grow back over all those chain stores? Would the planet actually be able to repair itself in any decent amount of time or has the devastation been too serious? Does the earth retreat to a serene garden like in the Talking Heads' "Flowers" ("There was a shopping mall, now it's all covered with flowers")?

The answer is mixed in Weisman's sprightly and well-considered book. The good news—"Ruins of high-rises echo the love song of frogs breeding in Manhattan's reconstituted streams, now stocked with alewives and mussels dropped by seagulls"—with the uglier—that 1 billion tons of plastic we've produced won't be going anywhere for many thousands of years, and the scenario for oil refineries and nuclear power plants, left unattended, is horrific in the extreme. While nobody reading Weisman's book would consider him a Pollyanna, he refuses to stick to prophecies of eco-doom, being fully knowledgeable that human damage to the earth will likely pale into insignificance when looked at from a geological perspective. In the words of one scientist Weisman quotes, "If the planet can recover from the Permiam, it can recover from the human."

The World Without Us also comes with a nifty website, at which you can not only see the usual publicity material but also a host of multimedia presentations, including one that shows a time-lapse animation of what would happen to a completely untended house over the course of five hundred years. For an audience used to thinking about environmental matters only in terms of this or the next generation or two, seeing exactly how little the human race really means to the planet over such a long stretch of time is humbling. And rightly so.

This book offers a poignant and jarring reminder not just of the resilience of the human spirit, but also of its ability to seek solace in the materiality of one's present.

Marcelino Truong launched his autobiographical account of growing up in Saigon during the Vietnam War with the acclaimed graphic novel Such a Lovely Little War: Saigon 1961-63, originally published in French in 2012 and in English translation in 2016. That book concluded with his family's permanent relocation to London, England, as the chaos and bloodshed back home intensified.

Now Truong continues the tale with Saigon Calling: London 1963-75 (originally published in French in 2015), which follows the experiences of his family after they seek refuge in Europe. It offers a poignant illustration of what life was like for a family of refugees from the war, and from the perspective of young children (granted, Truong's family were a privileged and upper class set of refugees, well-connected with South Vietnamese and European elites). While relatives and friends struggle to survive amid the bombs and street warfare of Vietnam, the displaced narrator and his siblings find their attention consumed by the latest fashion and music trends in London. The book offers a poignant and jarring reminder not just of the resilience of the human spirit, but also of its ability to seek solace in the materiality of one's present.

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Music

The World of Captain Beefheart: An Interview with Gary Lucas and Nona Hendryx

Gary Lucas and Nona Hendryx (photo © Michael DelSol courtesy of Howlin' Wuelf Media)

Guitarist and band leader Gary Lucas and veteran vocalist Nona Hendryx pay tribute to one of rock's originals in this interview with PopMatters.

From the opening bars of "Suction Prints", we knew we had entered The World of Captain Beefheart and that was exactly where we wanted to be. There it was, that unmistakable fast 'n bulbous sound, the sudden shifts of meter and tempo, the slithery and stinging slide guitar in tandem with propulsive bass, the polyrhythmic drumming giving the music a swing unlike any other rock band.

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From Haircut 100 to his own modern pop stylings, Nick Heyward is loving this new phase of his career, experimenting with genre with the giddy glee of a true pop music nerd.

In 1982, Nick Heyward was a major star in the UK.

As the leader of pop sensations Haircut 100, he found himself loved by every teenage girl in the land. It's easy to see why, as Haircut 100 were a group of chaps so wholesome, they could have stepped from the pages of Lisa Simpson's "Non-Threatening Boys" magazine. They resembled a Benetton knitwear advert and played a type of quirky, pop-funk that propelled them into every transistor radio in Great Britain.

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Blending a dazzling array of musical influences and directions for more than two decades now, Thievery Corporation have come to represent one of the 21st century's boldest bands in both genre-blending style and lyrical impact.

The Halloween season is in full effect on this crisp Sunday evening in San Francisco that precedes All Hallows Eve by two days. With the traditional holiday falling on a Tuesday, music fans are out for as much costumed fun as they can get as evidenced by the costumed revelers here at the Masonic in the Nob Hill area. Thievery Corporation is in town, and the Bay Area "thieves" as the band's fans are known are ready to let it all hang out with one of the few bands in the music industry that isn't shy on telling listeners the truth about what's going on in the world.

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Despite the uninspired packaging in this complete series set, Friday Night Lights remains an outstanding TV show; one of the best in the current golden age of television.

There are few series that have earned such universal acclaim as Friday Night Lights (2006-2011). This show unreservedly deserves the praise -- and the well-earned Emmy. Ostensibly about a high school football team in Dillon, Texas—headed by a brand new coach—the series is more about community than sports. Though there's certainly plenty of football-related storylines, the heart of the show is the Taylor family, their personal relationships, and the relationships of those around them.

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