Music

C. Gibbs - "Unchaperoned" (audio) (Premiere)

"Prince meets Crazy Horse" on the latest tune by C. Gibbs (Lucinda Black Bear), "Unchaperoned".

Described as Christian Gibbs' "most schizophrenic but unified album to date", C. Gibbs Sings Motherwell Johnston is rooted in a curious identity. You might wonder who exactly is the Motherwell Johnston that Gibbs is singing; if you can't come up with an answer, it's probably not for lack of knowledge. Instead, it derives from the fact that Johnston is an alias of Gibbs', invented, as the press release for the LP explains, "to try new songs live without having any expectations from those who might be familiar with his past work (Lucinda Black Bear, C. Gibbs, Morning Glories)". Although Gibb's voracious musical tastes and past projects can be clearly heard on Sings Motherwell Johnston, with this outing he is creating a singular, new space for him to explore songwriting.

As a preview of what's to come on Sings Motherwell Johnston, you can stream the track "Unchaperoned" below. Featuring bluesy, soul-tinged lead guitar that is retro in all the right ways, "Unchaperoned" is an excellent harbinger for the record.

Gibbs breaks down "Unchaperoned" to PopMatters thusly: "I had a space in the back of Glasslands (venue in Brooklyn) that I shared with a bunch of Detroit transplants. I would plug in to three amps and just create loops all day and this simple guitar riff came out. I started singing 'Unchaperoned' in a percussive tongue-and-cheek falsetto but soon it became clear to me what the song was about -- being on your own, unsupervised, motherless, abandoned, failed heroines, fallen idols, resolve, rejection, back to square one kind of thing. Drummer Tim Kuhl (The Ghost of a Saber Tooth Tiger) had a space upstairs and he came down and joined in. We got Phil (Sterk) and Matt (Brandau) together and hence Motherwell Johnston became our mascot, a character of sorts that was a release for this new collaboration. Though kind of a black sheep on the album, someone in Zurich described it as 'Prince meets Crazy Horse.' We had to make it the first track on the record after that."




C. Gibbs Sings Motherwell Johnston is out on 30 June.


C. Gibbs Sings Motherwell Johnston

01. Unchaperoned

02. Fourth of July

03. Cordelaine

04. Cold Bikram

05. Murmer and Belt

06. Aidan

07. One in a Million

08. Reprise Aidan

09. Vegan Feast

10. Slow


In Americana music the present is female. Two-thirds of our year-end list is comprised of albums by women. Here, then, are the women (and a few men) who represented the best in Americana in 2017.

If a single moment best illustrates the current divide between Americana music and mainstream country music, it was Sturgill Simpson busking in the street outside the CMA Awards in Nashville. While Simpson played his guitar and sang in a sort of renegade-outsider protest, Garth Brooks was onstage lip-syncindg his way to Entertainer of the Year. Americana music is, of course, a sprawling range of roots genres that incorporates traditional aspects of country, blues, soul, bluegrass, etc., but often represents an amalgamation or reconstitution of those styles. But one common aspect of the music that Simpson appeared to be championing during his bit of street theater is the independence, artistic purity, and authenticity at the heart of Americana music. Clearly, that spirit is alive and well in the hundreds of releases each year that could be filed under Americana's vast umbrella.

Keep reading... Show less

From genre-busting electronic music to new highs in the ever-evolving R&B scene, from hip-hop and Americana to rock and pop, 2017's music scenes bestowed an embarrassment of riches upon us.


60. White Hills - Stop Mute Defeat (Thrill Jockey)

White Hills epic '80s callback Stop Mute Defeat is a determined march against encroaching imperial darkness; their eyes boring into the shadows for danger but they're aware that blinding lights can kill and distort truth. From "Overlord's" dark stomp casting nets for totalitarian warnings to "Attack Mode", which roars in with the tribal certainty that we can survive the madness if we keep our wits, the record is a true and timely win for Dave W. and Ego Sensation. Martin Bisi and the poster band's mysterious but relevant cool make a great team and deliver one of their least psych yet most mind destroying records to date. Much like the first time you heard Joy Division or early Pigface, for example, you'll experience being startled at first before becoming addicted to the band's unique microcosm of dystopia that is simultaneously corrupting and seducing your ears. - Morgan Y. Evans

Keep reading... Show less

This week on our games podcast, Nick and Eric talk about the joy and frustration of killing Nazis in Wolfenstein: The New Order.

This week, Nick and Eric talk about the joy and frustration of killing Nazis in Wolfenstein: The New Order.

Keep reading... Show less

Which is the draw, the art or the artist? Critic Rachel Corbett examines the intertwined lives of two artists of two different generations and nationalities who worked in two starkly different media.

Artist biographies written for a popular audience necessarily involve compromise. On the one hand, we are only interested in the lives of artists because we are intrigued, engaged, and moved by their work. The confrontation with a work of art is an uncanny experience. We are drawn to, enraptured and entranced by, absorbed in the contemplation of an object. Even the performative arts (music, theater, dance) have an objective quality to them. In watching a play, we are not simply watching people do things; we are attending to the play as a thing that is more than the collection of actions performed. The play seems to have an existence beyond the human endeavor that instantiates it. It is simultaneously more and less than human: more because it's superordinate to human action and less because it's a mere object, lacking the evident subjectivity we prize in the human being.

Keep reading... Show less
3

Gabin's Maigret lets everyone else emote, sometimes hysterically, until he vents his own anger in the final revelations.

France's most celebrated home-grown detective character is Georges Simenon's Inspector Jules Maigret, an aging Paris homicide detective who, phlegmatically and unflappably, tracks down murderers to their lairs at the center of the human heart. He's invariably icon-ified as a shadowy figure smoking an eternal pipe, less fancy than Sherlock Holmes' curvy calabash but getting the job done in its laconic, unpretentious, middle-class manner.

Keep reading... Show less
5
Pop Ten
Mixed Media
PM Picks

© 1999-2017 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.

rating-image