Books

Capote disappoints Krakauer

Jon Krakauer on his recent rereading of Capote's In Cold Blood:

"After I learned of his boast that he wrote all the dialogue from memory, much of it struck me as having been invented."

You know, that's a good point. A good point, of course, only a writer of Krakauer's intensity is allowed make and not seem snide, bitchy, or entirely misinformed. He makes the statement in the 13 August issue of Newsweek in an article focusing mainly on his five favourite books, Donald Barthelme's The Dead Father and Tracy Kidder's House among them. Capote's groundbreaker falls under the provocative category "a classic that, upon re-reading, [I found] disappointing".

This tiny, fascinating article sent me on a mission to find other lists, in which published authors discuss their favourite books. Lists aplenty showed up on my Google search -- though, sadly, not so many "classics that really suck" lists, but I'm still looking. Here's a sample ...

My First Literary Crush at Slate.com

Check out what Harold Bloom, Christopher Hitchens, and Judd Apatow found 'mesmerizing" in college. It's a good list, if a little bit male (though a Seinfeld writer lists Erica Jong as influential, which shakes things up slightly).

Barnes and Noble: Meet the Writers

These snippety interviews / profiles are excellent in gaining better insight into your favourite writers. Check out the "author recommendations" sections and find out what Lisa See, Chuck Klosterman, and Gregory Maguire want us to read over the summer.

Best Adaptations at Book Forum

A bit off-track but nonetheless fascinating, this recent Book Forum article is essentially a list of authors' favourite film adaptations. Armond White, Joy Press, and Francine Prose are among the participants.

What Writers Read at The Main Switch

This article from late last month takes a close look at what local Maine authors are reading over the summer. Meet Joel Ross, Lily King, and Hannah Holmes and discover just how diverse and exciting their reading choices are.

As for books not to read, the best I could find was Lucy Day's Books I Hate webpage. She hates a lot, particularly books by L. Ron Hubbard. Her summation of Stephen King and Peter Straub's The Talisman: "This book is supposedly fantasy/horror. Emphasis on the horror. I read this book on the recommendation of a friend, but this is not a genre I am comfortable with. Noble quest, yes. Magical worlds and creatures, yes. But worth reading? No."

Fair enough. Still, there's just not enough author-hate out there. Like I said, I'm looking.

From genre-busting electronic music to new highs in the ever-evolving R&B scene, from hip-hop and Americana to rock and pop, 2017's music scenes bestowed an embarrassment of riches upon us.


60. White Hills - Stop Mute Defeat (Thrill Jockey)

White Hills epic '80s callback Stop Mute Defeat is a determined march against encroaching imperial darkness; their eyes boring into the shadows for danger but they're aware that blinding lights can kill and distort truth. From "Overlord's" dark stomp casting nets for totalitarian warnings to "Attack Mode", which roars in with the tribal certainty that we can survive the madness if we keep our wits, the record is a true and timely win for Dave W. and Ego Sensation. Martin Bisi and the poster band's mysterious but relevant cool make a great team and deliver one of their least psych yet most mind destroying records to date. Much like the first time you heard Joy Division or early Pigface, for example, you'll experience being startled at first before becoming addicted to the band's unique microcosm of dystopia that is simultaneously corrupting and seducing your ears. - Morgan Y. Evans

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The year in song reflected the state of the world around us. Here are the 70 songs that spoke to us this year.

70. The Horrors - "Machine"

On their fifth album V, the Horrors expand on the bright, psychedelic territory they explored with Luminous, anchoring the ten new tracks with retro synths and guitar fuzz freakouts. "Machine" is the delicious outlier and the most vitriolic cut on the record, with Faris Badwan belting out accusations to the song's subject, who may even be us. The concept of alienation is nothing new, but here the Brits incorporate a beautiful metaphor of an insect trapped in amber as an illustration of the human caught within modernity. Whether our trappings are technological, psychological, or something else entirely makes the statement all the more chilling. - Tristan Kneschke

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Culture

Net Neutrality and the Music Ecosystem: Defending the Last Mile

Still from Whiplash (2014) (Photo by Daniel McFadden - © Courtesy of Sundance Institute) (IMDB)

"...when the history books get written about this era, they'll show that the music community recognized the potential impacts and were strong leaders." An interview with Kevin Erickson of Future of Music Coalition.

Last week, the musician Phil Elverum, a.k.a. Mount Eerie, celebrated the fact that his album A Crow Looked at Me had been ranked #3 on the New York Times' Best of 2017 list. You might expect that high praise from the prestigious newspaper would result in a significant spike in album sales. In a tweet, Elverum divulged that since making the list, he'd sold…six. Six copies.

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Under the lens of cultural and historical context, as well as understanding the reflective nature of popular culture, it's hard not to read this film as a cautionary tale about the limitations of isolationism.

I recently spoke to a class full of students about Plato's "Allegory of the Cave". Actually, I mentioned Plato's "Allegory of the Cave" by prefacing that I understood the likelihood that no one had read it. Fortunately, two students had, which brought mild temporary relief. In an effort to close the gap of understanding (perhaps more a canyon or uncanny valley) I made the popular quick comparison between Plato's often cited work and the Wachowski siblings' cinema spectacle, The Matrix. What I didn't anticipate in that moment was complete and utter dissociation observable in collective wide-eyed stares. Example by comparison lost. Not a single student in a class of undergraduates had partaken of The Matrix in all its Dystopic future shock and CGI kung fu technobabble philosophy. My muted response in that moment: Whoa!

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Books

'The Art of Confession' Ties Together Threads of Performance

Allen Ginsberg and Robert Lowell at St. Mark's Church in New York City, 23 February 1977

Scholar Christopher Grobe crafts a series of individually satisfying case studies, then shows the strong threads between confessional poetry, performance art, and reality television, with stops along the way.

Tracing a thread from Robert Lowell to reality TV seems like an ominous task, and it is one that Christopher Grobe tackles by laying out several intertwining threads. The history of an idea, like confession, is only linear when we want to create a sensible structure, the "one damn thing after the next" that is the standing critique of creating historical accounts. The organization Grobe employs helps sensemaking.

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