
TV on the Radio’s 20-Year-Old LP Has Power and Righteous Fury
TV on the Radio’s sophomore release, Return to Cookie Mountain, is a savage critique of Republican regimes that retains an unnerving relevance.

TV on the Radio’s sophomore release, Return to Cookie Mountain, is a savage critique of Republican regimes that retains an unnerving relevance.

Listening to Orange Twin Field Works Vol. 1 today – not as ethnography but as a fully realized composition – Jeff Mangum’s pre-Bulgaria sensibility appears.

Kyle Craft created high-drama with high-stakes, a Freudian fantasy, wherein sex and death interweave, or, rather, Thanatos and Eros commingle, like a seductive dance.

There is far more to the title and meaning of Peter Gabriel’s song “In Your Eyes” than meets the eye, as it turns the lover’s eyes into a dwelling of belief.

Thirty years ago, the Afghan Whigs doubled down on their obsessions with funk and soul to create a song cycle that’s closer to a concept album than it isn’t.

With the success of Evanescence’s Fallen and The Open Door, which held to Amy Lee’s vision, she should have earned Wind-Up’s trust, not its vitriol.

Shawn Colvin knows who she is, and she wasn’t about to start chasing someone else’s pop dreams. That’s what makes Whole New You so captivating still.

Time doesn’t heal all wounds, but we have music to help. Touché Amoré’s Stage Four is as raw a statement on grief as there has ever been.

In Jay-Z’s Vol. 3… Life & Times of S. Carter, the ever-undeterred MC sounds anything but as he fulminates on one end and tightens his durag on the other.

Assuming personal stability is necessary for collective betterment, it’s high time that Gorillaz share their newest, loving, bizarre journey with the rest of the world.

Folk-pop-rock singer Al Stewart scored a career-boosting hit with 1976’s “Year of the Cat” and continued the momentum with “Time Passages”.

How a supposed death sentence, PUP’s The Dream Is Over, ignited today’s pop-punk torchbearers 10 years ago.