Mark Jenkin's haunting Bait exhibits a ghostliness that complements the film's transient landscape of seasonal capital and short-term holiday lets.
In a brave new world dominated by platforms such as Facebook, Uber, and Airbnb, and marked by anxiety in the Age of the Anthropocene, McKenzie Wark's Capital Is Dead eschews digital utopianism for a sense of urgency that recognizes things have gotten serious.
Award-winning lawyer Ben Crump's Open Season irrefutably documents how America's treatment of Black Americans and other minorities is indistinguishable from genocide.
Harry Harootunian's essays on modern Japanese history, collected in Uneven Moments from Columbia University Press, reflect a lifetime of intellectual contributions and span a wide range of topics in Japanese history. The tension between the historical and the everyday is a recurrent and vital theme in his work.
In The Man Without Talent, Tadao Tsuge captures the element of fantasy reflected in the childish utopianism of free market capitalism and the committed entrepreneurs who are its happy-go-lucky evangelists.
Sarah Milov's The Cigarette restores politics to its rightful place in the tale of tobacco's rise and fall, illustrating America's continuing battles over corporate influence, individual responsibility, collective choice, and the scope of governmental power. Enjoy this excerpt from Chapter 5. "Inventing the Nonsmoker".
Suketu Mehta offers a powerful, angry, and brilliant defense of immigrant rights in This Land Is Our Land: An Immigrant's Manifesto.
Creating a culture of consumption in 20th century Chicago meant making space for shoppers, which meant integrating women into public life, in a downtown dominated by men. Historian Emily Remus revels in the ramifications of that cultural shift in A Shoppers' Paradise.