
Empire Child’s Music Could Heal the World
As Empire Child, Ruth Rothwell realizes her lifelong dream of releasing her own music. It’s a journey of introspection, social consciousness, and positivity.

As Empire Child, Ruth Rothwell realizes her lifelong dream of releasing her own music. It’s a journey of introspection, social consciousness, and positivity.

From its opening title, Esta Isla (This Island) embraces the complexity and contradictions of Fredric Jameson’s formulation of “third-world” society and Puerto Rico’s unique situation.

UltraBomb’s Greg Norton is unapologetic about his new LP, The Bridges that We Burn: “If you don’t like my politics, you can listen to Kid Rock.”

The world conjured by Antoine Fuqua’s Michael Jackson movie is an emotionally flattened realm of veneration and idolisation that would make even Stalin blush.

Among the most coveted spoils of America’s wars, critic Andrew Cockburn argues, is the money pulled from taxpayers’ pockets never to be returned to the country’s social welfare.

Charley discusses her therapeutic poptimism that extends beyond rote structures and clichés to strike a deeper chord with listeners.

From The Banjo Boys beginnings as a “mini-doc” to its fruition as a feature film, Johan and Neil Nayar join musicians Yobu Maligwa and Yosefe Kalekeni on their journey from simple craft to sensational art.

There is far more to the title and meaning of Peter Gabriel’s song “In Your Eyes” than meets the eye, as it turns the lover’s eyes into a dwelling of belief.

The tools haven’t changed much. The influences are still there. The approach is the same. Dale Watson is still building, as he puts it, with that old hammer.

In April’s nest metal, Iron Firmament return to lo-fi, Cascadian alchemy, Lividus set up progressive foundations, and Evil Warriors reach new heights.

In The Red Hangar, the first day of Chile’s 1973 coup becomes a tightening moral trap, as an Air Force captain watches military routine turn into open repression.

Nu metal’s ecosystem in the 1990s allowed unexpected forms of extremity to break into mainstream success, and Slipknot and System of a Down exemplify that.