
ME. Invite Us to Do the Hard Thing on ‘All Good Things’
We chat with ME. to plumb the depths of this newborn band’s soul and see how the bitter experiences of adulthood can blossom into surprising transformation.

We chat with ME. to plumb the depths of this newborn band’s soul and see how the bitter experiences of adulthood can blossom into surprising transformation.

PopMatters speaks with Russian Circles guitarist Mike Sullivan about what has kept the Chicago post-metal outfit going for two decades and nearly double-digit albums.

More than any season in recent memory, the films shown at the Venice Film Festival and other fall-circuit festivals crack open heated, necessary political discourse worldwide.

Punk’s shorthand for deconstruction has always been: Who says? Yet, if we take that move seriously, we have to apply it to our own sacred binaries.

Duane Betts’ sound conjures a musical sanctuary, highlighted in a festive two-night stand at the Bay Area’s Sweetwater Music Hall.

At a moment of renewed Canadian self-definition, the country’s most celebrated musicians, Quebec duo Angine de Poitrine, insist they aren’t even from this planet.
![Howard Hughes Makes [Lewis] Milestones in Hollywood Silent Movies](https://www.popmatters.com/wp-content/uploads/2026/10/Howard-Hughes-Hollywood-Lewis-Milestone-720x380.webp)
Producer Howard Hughes and director Lewis Milestone’s Two Arabian Knights and The Racket, now restored and on Blu-ray, made splashes at the box office and at the first Academy Awards.

Given September’s liminal nature, it’s no surprise that this month’s best electronic albums are such an eclectic brew. You’re sure to find your next fascination

In Nia DaCosta’s sensual adaptation of Ibsen’s Hedda Gabler, “care” is a form of both pleasure and power, and a stated limit is something to overcome.

The “old, obscure artist” drama Late Fame shows you’re never too old to be delusional about your youth, or too young to be delusional about your future.

Digger breaches like an apocalyptic iceberg, blowing its premise to bits with metacinematic bombs that unleash a ferocious horde of ideas at our late-capitalist brains.

Cartoonist Drew Lerman talks about depicting fictional conversations with real writers, and how cordial Don DeLillo was when they talked.