
When Hip-Hop’s the LOX Reclaimed Their Power and Respect
Looking back on when Jadakiss, Styles P, and Sheek Louch took matters into their own hands as the Lox to reestablish themselves as the voice of the people.

Looking back on when Jadakiss, Styles P, and Sheek Louch took matters into their own hands as the Lox to reestablish themselves as the voice of the people.

Richard Linklater’s largely ignored pre-Slacker microbudget movie was just the start of his ambitious, driven, disciplined dream come true.

In a genre where almost everything is replaceable, Sabrina Carpenter achieves something rare: she is not only present, she is necessary.
Liz Phair is intent on making relics and shrines of her failures and flaws. There’s romance in the way she describes emptiness and loneliness.

Zhao’s Hamnet subverts the “great man narrative” not by centering on the rising career of Shakespeare, but instead on the cost of his genius.

A ten-year-old Steven Spielberg movie starring Tom Hanks may seem a strange inspiration to fight anti-immigration in 2026, but that’s exactly what Bridge of Spies provides.

Derek Trucks discusses the new Tedeschi Trucks Band album and the logistics of co-fronting a 12-piece group with his guitar-slinging wife, Susan Tedeschi.

Time doesn’t heal all wounds, but we have music to help. Touché Amoré’s Stage Four is as raw a statement on grief as there has ever been.

Grungegaze is a ubiquitous part of 2026’s rock underground. How did this genre grow from a small group of friends in the 2010s to blossom into a viral internet sensation?

Bad Bunny’s Super Bowl LX half-time show is much more than a choreographic display; it’s a manifesto of political autonomy and joyful visual sovereignty.

People say that there are four oceans, but one could reasonably argue that there’s a fifth: the one created by Éliane Radigue and her legion of cosmic drones.

In Jay-Z’s Vol. 3… Life & Times of S. Carter, the ever-undeterred MC sounds anything but as he fulminates on one end and tightens his durag on the other.