
Can Comedy Be an Antidote to Authoritarianism’s Poison?
Politically, the opposite of authoritarianism is democracy; cognitively, it is humor. Comedy may indeed be the best medicine for our seriously unwell era.

Politically, the opposite of authoritarianism is democracy; cognitively, it is humor. Comedy may indeed be the best medicine for our seriously unwell era.

Years after his untimely departure, David S. Ware remains one of free jazz’s most versatile tenor saxophonists. We delve into his career by revisiting one of his last interviews.

British soft rock extraordinaire Gilbert O’Sullivan chats about his new album, collaborations, and staying Irish wherever he lays his head.

The Social Reckoning falls into the Aaron Sorkin trap: the seductive belief that exposing a logical fallacy demonstrates not only superior reasoning, but superior moral standing.

PopMatters speaks with Russian Circles guitarist Mike Sullivan about what has kept the Chicago post-metal outfit going for two decades and nearly double-digit albums.

Punk’s shorthand for deconstruction has always been: Who says? Yet, if we take that move seriously, we have to apply it to our own sacred binaries.

At a moment of renewed Canadian self-definition, the country’s most celebrated musicians, Quebec duo Angine de Poitrine, insist they aren’t even from this planet.
![Howard Hughes Makes [Lewis] Milestones in Hollywood Silent Movies](https://www.popmatters.com/wp-content/uploads/2026/10/Howard-Hughes-Hollywood-Lewis-Milestone-720x380.webp)
Producer Howard Hughes and director Lewis Milestone’s Two Arabian Knights and The Racket, now restored and on Blu-ray, made splashes at the box office and at the first Academy Awards.

Given September’s liminal nature, it’s no surprise that this month’s best electronic albums are such an eclectic brew. You’re sure to find your next fascination

Digger breaches like an apocalyptic iceberg, blowing its premise to bits with metacinematic bombs that unleash a ferocious horde of ideas at our late-capitalist brains.
I’m a middle-aged, straight-passing, monogamous feminist desperate to make known my progressive and professional creds. So why am I unashamedly obsessed with Love Island?

Slayyyter is the queen of dilapidation, and partying is her defiance against a socio-political structure designed to keep the majority down.