Juleen Compton’s little-known ’60s films, Truffaut-effected Stranded and Mekas’-affirming The Plastic Dome of Norma Jean, have been lovingly restored thanks to her work ethic in a completely different field.
Surprisingly, Fleetwood Mac began life as a blues-rock band before morphing into the pop/rock juggernaut that ruled the charts in the late 1970s.
Muslimgauze’s first five releases are some of the most interesting, fully-realized artifacts to crawl out of the early 1980s industrial, experimental drainpipe.
The initial and still-golden era of progressive rock started in 1969 and ended in 1981, and these are the 25 best prog rock albums of that era.
The 1980s began on 10 February 1978, with the release of Van Halen’s self-titled debut album, now celebrating its 45th anniversary.
Kevin James’ “average Joe” working-class sitcom characters play to a type well supported by the American patriarchy. Valerie James’ revenge comedy Kevin Can F**k Himself attempts to bury that dated format.
Eyes were the first all-woman 1970s feminist rock band. Don’t believe it? This excerpt from Michael Goldberg’s Addicted to Noise backs the hype.
In the solid second season of HBO’s hit reboot of the legendary 1930s franchise, Matthew Rhys’ Perry Mason gets his day in court but seldom finds justice.
February’s best hip-hop projects feature angular experiments, tranquil vibes, a returning legend, and boundaries being blurred.
In a new documentary, Who You Gonna Call is more than a Ghostbusters catchphrase for Grammy-winning artist Ray Parker, Jr.
Louis Jordan’s style and innovation helped American popular music transition from one global sound juggernaut to the next, moving from big-band swing jazz to rock ‘n’ roll.
Formerly the sole female vocalist in rap group Calle 13, iLe has turned into a Latin alternative firebrand, pushing her art and her politics in exciting ways.
