
Why Sabrina Carpenter Can’t Stop Being “Sabrina Carpenter”
In a genre where almost everything is replaceable, Sabrina Carpenter achieves something rare: she is not only present, she is necessary.
Features, interviews, and commentary about popular culture related topics, including music, film, TV, books, games, and more.

In a genre where almost everything is replaceable, Sabrina Carpenter achieves something rare: she is not only present, she is necessary.

Rock of Pages makes a lively case that the theatricality of 1980s heavy metal concealed a more literate imagination than its critics would admit.
Liz Phair is intent on making relics and shrines of her failures and flaws. There’s romance in the way she describes emptiness and loneliness.

Zhao’s Hamnet subverts the “great man narrative” not by centering on the rising career of Shakespeare, but instead on the cost of his genius.

A ten-year-old Steven Spielberg movie starring Tom Hanks may seem a strange inspiration to fight anti-immigration in 2026, but that’s exactly what Bridge of Spies provides.

Derek Trucks discusses the new Tedeschi Trucks Band album and the logistics of co-fronting a 12-piece group with his guitar-slinging wife, Susan Tedeschi.

Hole bassist Melissa Auf der Maur’s memoir goes beyond clichés to offer a truly compelling perspective on the bohemian community of 1990s rock.

For all his success and longevity, John Pizzarelli seems youthful — funny and easygoing as a personality and, inevitably, always the son of his legendary dad, the guitarist Bucky Pizzarelli.

Who knew post-hardcore punk rockers Fugazi were so tough? I’ll never forget the day they strode through my warehouse and I laid down my tape gun.

Time doesn’t heal all wounds, but we have music to help. Touché Amoré’s Stage Four is as raw a statement on grief as there has ever been.

Grungegaze is a ubiquitous part of 2026’s rock underground. How did this genre grow from a small group of friends in the 2010s to blossom into a viral internet sensation?

It’s absurd to think of Jack Benny or his characters as lotharios, but he does his best in these 1930s saucy, censor-restricted comedies.