
The Immanent Transcendence in Mascha Schilinski’s ‘Sound of Falling’
Mascha Schilinski’s Sound of Falling operates in the language of the unconscious, which is the language of the dead. The viewer must invite the dead into each present moment.
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Mascha Schilinski’s Sound of Falling operates in the language of the unconscious, which is the language of the dead. The viewer must invite the dead into each present moment.

The annual Memorial Day weekend festival BottleRock Napa Valley triumphs again, with arguably the most diverse lineup of any major festival in America.

In June’s best metal, Warning return to full doom metal gloom, Brånd’s reach extends their outsider post-punk, and Thy Killing Hand produce a primal, pre-human ritual.

In The Handmaid’s Tale, violence had to break in; in The Testaments, a tyrannical tenderness occupies a child’s dollhouse, a child’s mind.

Performance artist-turned-punk Gregg Deal of Dead Pioneers talks about his band’s new record and opening for Pearl Jam.

Michael Bracewell’s latest novella is a Proustian, circuitous meditation on the 1980s zeitgeist, shaped by personal recollections of the Smiths.

Listening to Orange Twin Field Works Vol. 1 today – not as ethnography but as a fully realized composition – Jeff Mangum’s pre-Bulgaria sensibility appears.

The Doors’ influence runs deep, folk-Americana singer-songwriter Eilen Jewell admits. “I basically wanted to be Jim Morrison,” she said with a laugh.

Made for the masses, and specifically for football fans, Most World Cup songs sound like AI slop, but there are some rare gems to be found, and we’ve got them.

Folk-rock troubadour Leah Song of Rising Appalachia discusses her passion for combining music and activism.

Jack White is not saving rock ‘n’ roll in 2026: he is maintaining it; anchoring music in place instead of letting it drift through networks.

Among his many discoveries about the Velvet Underground, Richie Unterberger’s description of unheard tapes will have fans salivating.