Harry Wootliff’s ‘True Things’ is a timely exploration of the broken foundations upon which the Conservative Government wants to “Build back better.”
The Alleys, in the First Feature Competition at the BFI LFF, criticises societal structures that use guilt and shame to control through conformity.
In the inside-out drama Bergman Island, a filmmaker couple vacationing in Ingmar Bergman’s old home find the lines between their work and their lives blurring.
The curiosity-driven Memory Box, playing at the BFI London Film Festival 2021, explores the role of memory and the lasting impact of the Lebanese Civil War.
Meditations on being Black in America, Chameleon Street and James Baldwin: From Another Place, complement each other in NYFF’s Revivals Program.
The ’70s were politically charged when Assault on Precinct 13 was released. Our perception of the film’s message is the only thing that has changed since.
Director Fabrice du Welz’s Inexorable, playing at TIFF 2021, is a satisfying thriller that encourages viewers to pull at its exposed thematic threads.
Sci-fi thriller Glasshouse (Fantastic Fest 2021), forces us to confront our collective vulnerability and the reality that we might not survive as a species.
Director Frida Kempff and writer Emma Broström’s Knocking is haunted by a history of indifference towards the feminine voice.