Nazis and Racial and Sexual Subtexts in ‘Revenge of the Zombies’
Revenge of the Zombies stands at the axis of Nazis, race relations and feminism in a mishmash of wartime themes under an immigrant director.
Revenge of the Zombies stands at the axis of Nazis, race relations and feminism in a mishmash of wartime themes under an immigrant director.
Bruce Springsteen documentary Road Diary: Bruce Springsteen and The E Street Band gets you there by taking a familiar yet still enjoyable route.
Fantastic colors, costumes, and effects ripple through Masahiro Shinoda’s New Wave-era Demon Pond, which is drenched in Kabuki romantic fantasy.
Mati Diop’s Dahomey documentary about the 2021 return of looted artworks to Benin looks more to the present and future than the past.
Lana Wilson’s soulful, patient, appropriately skeptical documentary takes psychics at their word but also peers behind the curtain in revealing ways.
Francis Ford Coppola’s bonkers “fable” about the clash of dreams and cynicism, Megalopolis, has a potent but unfounded belief in its importance.
The Barcelona School made avant-garde films nobody could understand, such as the pop art 1960s mash-up, Fata Morgana. But it sure looks good.
Arch Oboler’s Bwana Devil kicked off the 1950s 3D movies craze with a man-eating lion story, and 70s years later it’s trying to get its claws into audiences.
Nathan Silver’s 1970s-styled throwback Between the Temples is a comedy of people awkwardly fumbling toward purpose, faith, and meaning.
For his teen horror film Cuckoo, director Tilman Singer tries to tame his wild and creative imagination into something more commercially friendly, with mixed results.
Alain Robbe-Grillet’s Playing With Fire marks a curious effort when considered in the scope of cancel culture today, yet it compels nonetheless
Ant Timpson and Toby Harvard’s Bookworm effuses charm and humour, and reveals the Jekyll and Hyde-like sides of their creative personas.