
‘Josephine’ Crawls Under Your Skin and Stays
With crime drama Josephine, Beth de Araújo has crafted a film that first and foremost doesn’t need to be reckoned with so much as sat with.

With crime drama Josephine, Beth de Araújo has crafted a film that first and foremost doesn’t need to be reckoned with so much as sat with.

The Huntress casts aside simplified ideas about revenge and observes different ways to respond to a culture of misogynistic violence.

Filmmakers of the horror movie Rock Springs sped past indicators to elevate the subject, drove right over the cliff, and plunged to rock bottom.

Activist-cum-stand-up comedian Noam Shuster-Eliassi documentary Coexistence, My Ass! makes it painfully clear how complicatedly funny/not-funny coexistence can be.

True to its deceptively simple nature, Lily Platt’s Crisis Actor is a bold and captivating reflection on addiction, albeit of a different kind.

Daddy is a classic example of an artist making a museum film that showcases her campy and confrontational art and performance.

To Save and Project’s 2026 offerings include an early talkie that rivals Alfred Hitchcock and an overall fascinating glimpse of film and real history.

Jafar Panahi’s Palme d’Or-winning revenge thriller, It Was Just an Accident, slices into memory and the desire for revenge with a double-edged knife.

In Claire Denis’ arch and darkly funny film, The Fence, colonialism isn’t history, it’s not even past.

James Sweeney’s Twinless argues that the loneliness of contemporary, late-stage capitalism life is perpetuated by the very things that attempt to remedy it.

Jim Jarmusch’s low-key comedy of awkwardness, Father Mother Sister Brother explores the things we can never know about our families.

Western comedy Legend of the Happy Worker is unabashedly a message-oriented film, and its focus, like other fables and parables, is to deliver it in the least complicated way.