
‘Rock Springs’ Plunges to Rock Bottom
Filmmakers of the horror movie Rock Springs sped past indicators to elevate the subject, drove right over the cliff, and plunged to rock bottom.

Filmmakers of the horror movie Rock Springs sped past indicators to elevate the subject, drove right over the cliff, and plunged to rock bottom.

Activist-cum-stand-up comedian Noam Shuster-Eliassi documentary Coexistence, My Ass! makes it painfully clear how complicatedly funny/not-funny coexistence can be.

True to its deceptively simple nature, Lily Platt’s Crisis Actor is a bold and captivating reflection on addiction, albeit of a different kind.

Daddy is a classic example of an artist making a museum film that showcases her campy and confrontational art and performance.

To Save and Project’s 2026 offerings include an early talkie that rivals Alfred Hitchcock and an overall fascinating glimpse of film and real history.

Jafar Panahi’s Palme d’Or-winning revenge thriller, It Was Just an Accident, slices into memory and the desire for revenge with a double-edged knife.

In Claire Denis’ arch and darkly funny film, The Fence, colonialism isn’t history, it’s not even past.

James Sweeney’s Twinless argues that the loneliness of contemporary, late-stage capitalism life is perpetuated by the very things that attempt to remedy it.

Jim Jarmusch’s low-key comedy of awkwardness, Father Mother Sister Brother explores the things we can never know about our families.

Western comedy Legend of the Happy Worker is unabashedly a message-oriented film, and its focus, like other fables and parables, is to deliver it in the least complicated way.

Sierra Falconer’s anthology film Sunfish (& Other Stories on Green Lake), is quietly impressive, workmanlike storytelling.
The 75th edition of Europe’s preeminent film festival, Berlinale, kicks off with politics center stage, an efficient new director, and more celebrities than ever before.