
‘Rock Springs’ Plunges to Rock Bottom
Filmmakers of the horror movie Rock Springs sped past indicators to elevate the subject, drove right over the cliff, and plunged to rock bottom.
Features, reviews, interviews, and lists about film, covering the latest as well historical topics.

Filmmakers of the horror movie Rock Springs sped past indicators to elevate the subject, drove right over the cliff, and plunged to rock bottom.

All the films in Martin Scorsese’s World Cinema Project No. 5 showcase filmmakers whose output deserves restoration, but Kummatty offers the most direct and unapologetic sensual pleasures.

Activist-cum-stand-up comedian Noam Shuster-Eliassi documentary Coexistence, My Ass! makes it painfully clear how complicatedly funny/not-funny coexistence can be.

True to its deceptively simple nature, Lily Platt’s Crisis Actor is a bold and captivating reflection on addiction, albeit of a different kind.

The French were making their own postwar brand of dark, downbeat, terse, vivid, chic, and cynical criminal melodramas before anyone ever heard the term “French Noir”.
Embracing craft alongside vulnerability in the 2020s, pop music reaches the apex of its powers in 2025 by reveling in its own glamorous facade.

MGM musical Lovely to Look At is gorgeous stuff; the colors bleed so richly and profusely that they spread across the frames like melted crayons.

Whether defending her eggs, the Earth, or the people and kaiju she values, Mothra has consistently demonstrated caregiving instincts that finally have a lucid source in her feminine creator, Ajigo.

The Tron film series is more than a sci-fi adventure: it is a modern, neon-drenched reinterpretation of Hellraiser‘s horror mythos but with a more family-friendly vibe.

Director André Gaines’ thriller The Dutchman is a playful meta-narrative with a strange, haunting presence that has the visceral feel of a nightmare.

Joker provides a keen understanding of the deleterious effects of American neoliberalism, which the authors dismantle in Send in the Clowns with a mordant deadpan wit.

Capitalism’s moral rot is tracked in three NYC films: from heroin dealers who risk arrest to insider traders who risk indictment to men in masks who risk nothing at all.