
‘Nobody’s Fool’ Is Paul Newman’s Best Loser Role
In Nobody’s Fool, Paul Newman turns in one of his most purely enjoyable performances as an absentee father from a small town navigating the winter of his life.
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In Nobody’s Fool, Paul Newman turns in one of his most purely enjoyable performances as an absentee father from a small town navigating the winter of his life.

Claude Lelouch’s hugely popular A Man and a Woman was criticized for its sleek, chic, starstruck, pie-eyed, romantic wish fulfillment. Yet therein lay its radicalism.

Psychoanalysis documentary One Word Against Mine relies on that unstable border between what seems to come from outside and what has already taken shape within.

In the minds of Star Trek‘s many creators, the “sky” is the limit(less), but been there, done that. So what’s left for our adventurous mythmakers to explore?

By trying to recreate The Martian with Project Hail Mary, Phil Lord and Christopher Miller prove how elusive such broadly appealing blockbusters are.

Brutally stripped of the cunning self-awareness that once made the franchise so singular, Ghostface’s latest Scream outing commits every genre sin it once condemned.

María Silvia Esteve’s Mailin drifts toward a dreamscape of surviving trauma and injustice.

Richard Linklater’s largely ignored pre-Slacker microbudget movie was just the start of his ambitious, driven, disciplined dream come true.

Zhao’s Hamnet subverts the “great man narrative” not by centering on the rising career of Shakespeare, but instead on the cost of his genius.

A ten-year-old Steven Spielberg movie starring Tom Hanks may seem a strange inspiration to fight anti-immigration in 2026, but that’s exactly what Bridge of Spies provides.

In one of A Fox Under a Pink Moon’s sharpest insights, imagination is one of the few available means of surviving a crisis.

It’s absurd to think of Jack Benny or his characters as lotharios, but he does his best in these 1930s saucy, censor-restricted comedies.