Cymande Are Possibly the Most Sampled British Musical Artists of All Time
Cymande were foundational in the creation of hip-hop, disco, house, drum and bass, and rare groove, passed through generations like so much underground music.
Cymande were foundational in the creation of hip-hop, disco, house, drum and bass, and rare groove, passed through generations like so much underground music.
Which is the greater horror, Small Things Like These asks; the women who suffered under Ireland’s abusive Magdalene Laundries or the citizens’ complicity?
For the American political right of the post-war era, folk music more than rock ‘n’ roll was regarded as a national threat – but not because of the songs’ lyrics.
Walter Benjamin Stares at the Sea plays with postmodernism, autofiction, philosophy, and a short story canon peopled by writers from Augustine to Raymond Carver.
Hans Kundnani’s Eurowhiteness is a take on racism from a European perspective, which is as forward-looking as it is occasionally short-sighted.
American anxieties about the rise of rock ‘n’ roll nation were exploited by the far right, relating the music’s lyrics, sounds, dances, and subcultures to ubiquitous worries about communism and the developing civil rights movement.
Music may be the glue of every NYC underground scene This Must Be the Place covers, but Jesse Rifkin’s primary interest is in the community held together by that glue.
As with the Nazis and Goebbels and the Ku Klux Klan, the alt-right’s desire to co-opt pop music for their purposes requires ideological and ethical gymnastics.
While their motives were more mercenary than musical, American small record label impresarios could hear the barriers falling between the races right before their ears.
For Richard Spencer and today’s alt-right, ‘80s British synthpop bands like Depeche Mode satisfy their retrofuturist cultural fantasies.